tag:blogger.com,1999:blog-68344826115038474752024-03-05T01:42:04.042-08:00The Ampersand BlogZachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.comBlogger84125tag:blogger.com,1999:blog-6834482611503847475.post-46210090591725966212023-01-02T06:59:00.001-08:002023-11-07T07:21:14.007-08:00Supporting the Edward Said Library in Gaza<p> A few days ago, just before the end of the year, a message arrived in our inbox from Mosab Abu Toha — author of Things You May Find Hidden in My Ear: Poems from Gaza (City Lights, April 2022), and founder of the Edward Said Public Library in Gaza. I share that message here, because I hold the view that the Public Library in Gaza deserves wider recognition, and widespread support. </p><p>The email was prefaced by a pair of epigraphs that speak to the vision of the Library, and perhaps of libraries everywhere. The first is from Edward Said: "I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result." The second comes from Noam Chomsky: "The project merits strong support from everyone concerned with justice & basic human rights." Hear, hear. If you're moved to support this library project, y<a href="https://secure.everyaction.com/q_fRGaZLj06G79ZQdP72pw2" target="_blank">ou can donate here</a>.</p><p>Here now is Mosab's message: </p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><p style="text-align: left;">Dear friends and supporters,</p><p style="text-align: left;">I hope my letter finds you and your families very well that you are having a good holiday.</p><p style="text-align: left;">I never imagined that The Norton Anthology of American Literature that I found under the rubble of my university in 2014 would bring hundreds of books into my small house in North Gaza. In 2017, I launched a fundraising campaign, and within a few months I opened a public library named after Edward Said in north Gaza, with the Middle East Children's Alliance, aka MECA, as its partner and sponsor.</p><p style="text-align: left;">In September 2019, a second branch of the Edward Said Library opened in Gaza City. Hundreds and hundreds of children and adults come to the library every week to read, sing, draw, learn, and meet with others.</p><p style="text-align: left;">All of this and more could not happen if it wasn’t for donations from supporters like. Gaza needs us all now more than any time before. The two libraries are becoming central to the life and growth of many people in Gaza every single day.</p><p style="text-align: left;">Just last year, a third branch of the Edward Said Library was announced, this time in East Jerusalem. The three libraries do their best to address the increasing numbers of beneficiaries and their needs.</p><p style="text-align: left;">In our small way, the Edward Said libraries care as much as possible for the children and their own library space in it. As part of our evolving counseling and recovering program, we play games with them in the library, while other children draw and play with colors.</p><p style="text-align: left;">Nowadays, the three Edward Said libraries, in addition to their mission of providing books, have expanded their program. They not only work with librarians, but with young writers, musicians, and artists, providing a place for everyone to study and grow, practice their talents, and share them with those who would like to come and visit.</p><p style="text-align: left;">Therefore, I’m inviting you and your families and friends <a href="https://secure.everyaction.com/q_fRGaZLj06G79ZQdP72pw2" target="_blank">to continue to give</a> the Edward Said libraries a gleaming light in the darkened Gaza.</p></blockquote><p>Of the project, Mariam Said, wife of the late Dr. Edward Said, has written: "I want to express my deep gratitude to all those who contribute to the libraries. I know my husband would be honored that this wonderful project bears his name."</p><p><b>The Edwards Said Public Libraries are sponsored by the Middle East Children's Alliance, to which you can make a secure, 501(c)(3)-compliant, tax-deductible donation <a href="https://secure.everyaction.com/q_fRGaZLj06G79ZQdP72pw2" target="_blank">online</a>.</b></p>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-48226106462738755452022-11-25T12:32:00.002-08:002022-11-29T19:05:19.119-08:00Online course in Folklore Studies<p><i>Our colleague <a href="https://twitter.com/Intajalimd" target="_blank">Md Intaj Ali</a> (Assistant Professor of English at <a href="http://www.wbnsou.ac.in/" target="_blank">Netaji Subhas Open University</a> and manager of the <a href="https://folkculturearchive.in" target="_blank">folkculturearchive.in</a> project) requested that we share the following information about an enticing online program he is coordinating. - ZWB</i></p>
<h2 style="text-align: left;">Inviting registration for an online course: Folklore Studies in the Digital Age (2nd Cycle)</h2>
<p>The Centre for Language, Translation and Cultural Studies (CLTCS), School of Humanities, Netaji Subhas Open University, is offering an online 8-week short-term program on Folklore Studies in the Digital Age (2nd Cycle).</p>
<p><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Qv2icj0QsNy6R8i09rj_MV-vSeBe3ubOfNfeRuvR-EUKuoYEMEesr5X63swEtkLEJ0w_lPejzJXhdMny7rInz4Z1rsxODDmmDMQLjG6BwlRErY34-yinbJEdcWkeuo7hZOaY1tSV_4tedBFNbJRGkGfb6moN6fF2KPzjaCV1B-qfh1J8igAYxNtJ/s320/Folklore%20STC%20folder%202022_Page_1.jpg" width="100%" /></p>
<p>About the course: "Folklore studies look at new ways of defining folk and lore in the 21st century, addressing both a paradigm shift and a theoretical point of view. This study not only corresponds to the mere collection of materials and documenting them, but it also applies interdisciplinary tools and theoretical models for a better framework, explicating new areas of knowledge. The basic premise of this course provides a deeper understanding and appreciation of the corresponding developments in the study of folklore. As in the Digital Age, Folklore shows how folklore digitally transcends the boundaries of traditional space and has a genuine effect on our indigenous culture. This course seeks to lay the foundation for students' understanding of theories and techniques of understanding folklore in the digital context."</p><p>The course runs for eight weeks from December to January; the registration fee is 750 Indian rupees, or about $10. Click <a href="http://www.wbnsou.ac.in/student_zone/admissions/admission_information/2022/20221114_Admission_Notice_CLTCS_STC_Folklore_Studies_2nd_Cycle.pdf" target="_blank">here to view the admission notice</a> on the NSOU website, or <a href="http://www.wbnsou.ac.in/student_zone/admissions/admission_information/2022/20221115_Folklore_STC_detail_2022_2nd_Cycle.pdf" target="_blank">here to view the course brochure</a>.</p><p>To register, <a href="https://docs.google.com/forms/d/e/1FAIpQLSd7wfIRYauIOeqNOlB1tZpbP2RI9GimdsuTgKmOZ6o_WgSHLA/viewform" target="_blank">visit this Google Form</a>. Prof. Ali is available to <a href="mailto:intajalinsou@gmail.com" target="_blank">answer questions by email</a>. Please note the last day to register is November 30th.</p>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-65469672326513459922022-03-04T06:13:00.002-08:002022-03-04T06:14:48.371-08:00A letter from Kharkiv<p>This letter <a href="https://twitter.com/steven_seegel/status/1499691371178999812" target="_blank">was shared to Twitter</a> today by <a href="https://twitter.com/steven_seegel" target="_blank">Steven Seegel</a>, a historian at the Center for Russian, East European, and Eurasian Studies at The University of Texas at Austin. The letter was unattributed, but for the urging that we "read this letter from an academic from Kharkiv." We're sharing it here to the Press blog in case the letter vanishes from social media.</p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><p><b>The Russian army cleans Ukrainian cities off the face of the earth. </b>Destroying key infrastructure so that there is no water, light, heat. Rescuers can't dismantle the debris under the shelling. The Russian army is squeezing the civilians out of the cities so that they can then fight the rest as if they are terrorists. Yesterday, many of my Kharkiv residents became refugees. This is what happens in life: just yesterday you were finishing an article and making plans for your vacation, and today you are standing with a bag at the station in Poltava (a good city, I've been trying to see a long time ago), with your scared children and a cat in a carrier. I didn't have time to drive in to pick up my mother (no gasoline, traffic jams and debris everywhere, burned cars and again shelling). And there is a chance to start your life with a clean leaf, but you are somehow not very happy about it.</p><p>What's on my mind today? What is more terrifying than the destruction of my country by the request of a nuclear-button maniac will be a new world in which such crimes remain unpunished. The defeat of Hitler's Germany and the trial of Nazi criminals have created confidence in several generations of Europeans that there is a global moral order in which evil is punishable. But for justice to prevail, a military defeat of the criminal regime is necessary, and there are problems with that in the nuclear era. So as soon as the maniac has a remission period, Western politicians will sit with him again at a very long table. </p><p>This is and will be the collapse of the world order, the real end of history. The thought of my children and grandchildren having to live in this world of evil conquering makes me physically sick. END</p></blockquote><p>Let us hope that this belief in "a global moral order in which evil is punishable" is not unfounded. No; let us demand that if this moral order is not presently existing, that we can work together, as individuals and institutions and nations, to bring it into being without delay. </p>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-75458250733636523112022-01-07T14:37:00.004-08:002022-01-07T14:37:23.483-08:00Job Opportunities at Thornwillow Press<p style="text-align: left;"><span class="il" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;">Thornwillow</span><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"> </span><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;">Press in the Hudson Valley of NY is expanding rapidly and is listing a number of new positions in all departments, with full-time and part-time posts as well as spots in their Training Program. We share their call for applications with hopes that it will come to the notice of anyone </span><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;">interested in living their best life in the book arts. Feel free to pass it along! </span><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;">For more information, email </span><span style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="mailto:opportunities@thornwillow.com">opportunities@thornwillow.com</a>. </span><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"> </span></p><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><a data-saferedirecturl="https://www.google.com/url?q=https://thornwillow.com/&source=gmail&ust=1641655590317000&usg=AOvVaw0KepP6bzM8vWjX6zsO3NlK" href="https://thornwillow.com/" style="color: #1155cc; text-decoration-line: none;" target="_blank"><span style="font-family: "EB Garamond", serif; font-size: 11pt; font-variant-east-asian: normal; text-decoration-line: underline; vertical-align: baseline; white-space: pre-wrap;"><span class="il"><b>Thornwillow</b></span></span></a><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"><b> </b>is a printer and publisher of handmade limited edition books. We do all of the editorial, design, printing and binding at the press in Newburgh, New York. We’ve been at it for more than 35 years and are one of the leading fine press publishers in the world. Over the years, <span class="il">Thornwillow</span> has published the work of John Updike, Toni Morrison, Louise Glück, and President Obama among many others. <span class="il">Thornwillow</span>’s books are in the permanent collections of The Metropolitan Museum, The Smithsonian Institution, the Vatican, and the White House. We are committed to teaching and perpetuating the related arts and crafts of the written word. We are looking to hire full time people to join our team at the press. Both experienced and enthusiastic entry level applicants are welcome to apply.</span><span style="background-color: transparent;"> </span><span style="background-color: transparent;"> </span></div></span></div><span style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"> </span><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><b><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;">The Bindery. </span></b><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">We are looking for full time people to join our bindery. In the bindery we do every aspect of fine bookbinding in house from folding and sewing to making paper, cloth, and gold tooled leather bindings. We also make the clamshell boxes, marble and decorative paste paper in house. Experience is not necessary, as we are committed to training interested people and passing on the craft. We are looking for people with enthusiasm, the ability to work with their hands, patience and determination, and a love of books. In the bindery we are also able to entertain applicants for part time positions.</span></div></span></div><span style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"> </span><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"><b>The Press Room. </b></span><span style="font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">We are looking to hire full time people to join our press room team. Most of our books are printed on a Heidelberg flatbed cylinder press, but we also have Vandercooks, C+Ps and engraving presses that we run every day. Experience would be nice, but is not necessary. We are prepared and happy to train. First and foremost we are looking for enthusiasm and commitment to learning a craft we love. Being mechanically minded and enjoying working with machines is important. </span><span style="background-color: transparent;"> </span></div></span></div><span style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"> </span><br /><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; white-space: pre-wrap;"><b>Graphic Design, Fulfillment, Data Management, Book Keeping, Marketing, & Website Maintenance. </b></span><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">We have full and part time positions available in these areas. For all that we are dedicated to the perpetuation of traditional crafts, we are an ecommerce company. Through the internet, we unite a local and global community of book makers and book readers who together celebrate the written word. With this in mind, we are looking for people who have a love of handmade things and at the same time are excited by technology. We have books to design, a website to keep updated, audio and video to edit, photographs to be taken, spreadsheets to update, inventories to control, orders to process, customers to talk to, shipments to get out the door, invoices to send out, and bills to pay. Like any business, we have a significant flow of work that needs to be done. Having experience in any of these areas is a plus, but we are also willing to train.</span><span style="background-color: transparent;"> </span></div></span></div><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; white-space: pre-wrap;"><br /><b>Should I apply for the training program, or for a job? </b></span><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">Applying for a job requires a degree of experience. "Experience" usually, but not always, entails actual work in the field, not just educational or student work. Full time positions are salaried and commensurate with skill (usually starting around $35,000 for a candidate with a base level of proficiency). If the applicant does not have experience, candidates should apply for positions through our intern or training program.</span><span style="background-color: transparent;"> </span></div></span></div><span style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"> </span><br /><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"><b>About the Training Program.</b> </span><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">For candidates with moderate or limited experience, but great enthusiasm and eagerness to learn, we have a training program that typically follows this course: The program usually starts with a three-month trial period during which everyone gets to know each other and the work. This trial period is paid a stipend of $500 per week. After the trial period is over and everyone mutually agrees to move forward, the starting salary is $32,500. As skill and proficiency grows, the salary increases. The expectation is that anyone going down this path is at least interested in staying with it for a minimum of two years and ideally more. To learn properly to become a good bookbinder or printer (or baker or taxi driver for that matter) takes many years and at </span><span class="il" style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">Thornwillow</span><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;"> with each step forward there are always new and exciting ways to continue to grow. That said, it is a lot of time and effort that is only appropriately invested in someone interested in sticking with it.</span><span style="background-color: transparent;"> </span></div><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; white-space: pre-wrap;"><br /></span></div><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; white-space: pre-wrap;">Work Study Fellowships and Internships. </span><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">For applicants interested in learning, but not able to commit to an extended period of time, we offer a limited number of Fellowships and Internships. These run for a minimum of 3 months and are tailored on a case-by-case basis. Fellows and Interns are expected to perform real, useful work on a steady and consistent basis for the duration of their time at the press. </span></div><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></div><div style="line-height: 1.2; margin-bottom: 0pt; margin-left: 30pt; margin-top: 0pt;"><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; font-style: italic; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;">Affordable Housing. </span><span style="color: #050505; font-family: "EB Garamond", serif; font-size: 11pt; white-space: pre-wrap;">We also have a few options for affordable housing near the press. Either a room ($750 per month) in a shared apartment with others involved at the press or an entirely separate apartment. Please inquire if you are interested.</span></div></span></div><div style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: left;"><span></span></div>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-70745611272997169702021-06-10T11:57:00.000-07:002021-06-10T11:57:03.127-07:00On unpublished and unpublishable work<p>On Twitter, essayist <a href="https://twitter.com/PaulCrenstorm/status/1402998468663074823" target="_blank">Paul Crenshaw asks</a>: </p><blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><p style="text-align: left;">What’s the collective noun for all your unpublished pieces, the detritus and debris from writing, the cast-offs and castaways languishing on their little file of an island?</p></blockquote><p><b><u>One</u></b> of the team members at Pen & Anvil -- and why DO so many people have access to our social media account? -- <a href="https://twitter.com/penandanvil/status/1403052730566991879" target="_blank">pinged my handle</a> in a reply, taking the view, I suppose, that this is the sort of question I'd have fun in answering. They were right! Here is <a href="https://twitter.com/zakbos/status/1403054928352907272" target="_blank">my reply</a>: </p><blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><p style="text-align: left;">I resent that you think I think about this a lot. Though, I do. Viz: Jeofails. Compost. Hellboxlings. Bad jokes. Benthic snow. Sequestra. Woundikins. Pendlings. Beneficiaries of no one's orphanotrophism. Dead squibs. Pulp cabinet. Diple heap. Hobobooks. Ye olde parapraxial hoard.</p></blockquote><p>Of <i>course </i>I think about this a lot. Most of my writings are stillborn. My rate of return on personal poetry submissions is.... not a number I wish to quote here. Those writings that do survive the rigors and wrenchings of gestation and birth most often turn out to be not suited for life. Those, I allow to wither and perish -- sports, errors of the lineage. They would only be rejected by editors, rightly so. Kill your darlings, friends, and weep not for unadopted children. Writing is a brutal art. </p><p>Do check out all the replies in Crenshaw's original thread -- some really lovely metaphors and phrasings are on display!</p>Hawk & Whippoorwillhttp://www.blogger.com/profile/04332253067679515561noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-80251828704782948842020-12-29T10:15:00.001-08:002020-12-29T10:15:04.406-08:00Stross on tech-free fiction<p> Prolific novelist <a href="https://twitter.com/cstross" target="_blank">Charlie Stross</a> earlier this month <a href="https://twitter.com/cstross/status/1333727759621873665" target="_blank">weighed-in</a> on the habit of "serious" novelists to omit many basic features of the modern world:</p><blockquote><h2 style="text-align: left;">My take: any “literary” novel that doesn’t exist in a world with magic internet mirrors in every hand, strange plagues exploding out of wet markets in Wuhan, and invisible killer robots haunting the skies above Kandahar, is historical nostalgia for a world that went away in 1990.</h2></blockquote><p>User <a href="https://twitter.com/pickwick" target="_blank">Pickwick</a> <a href="https://twitter.com/pickwick/status/1333423969937010691" target="_blank">invites us</a> to characterize such boring fiction as "<b>grimdull</b>", contrasting with e.g. "<a href="https://en.wikipedia.org/wiki/Grimdark" target="_blank">grimdark</a>" and "<a href="https://www.pornokitsch.com/2008/03/grimpunk-an-int.html" target="_blank">grimpunk</a>."</p>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-8800044636792214212020-12-09T08:32:00.003-08:002020-12-09T08:32:36.391-08:00The deadwhitemaleness of school curricula and the YA canon<p><a href="https://twitter.com/bad_acid_labs/status/1336504074498355202" target="_blank">From the timeline</a>, on that bird site, of Massachusetts poet <a href="https://midnightlanegalleryii.wordpress.com/heeeeeeres-johnny-longfellow-that-is/" target="_blank">Johnny Longfellow</a>:</p><p></p><blockquote><p>Try imagining all the public tax dollars that land in the coffers of the copyright holders of canonical texts. Then, you'll understand much of what underlies and drives toxic YA lit debates regarding which texts are deemed worthy of inclusion/exclusion within school curricula.</p><p>Imagine, too, the profits made by publishers who republish and promote works in the public domain for use in school curricula, minus any need to pay agents, authors, or their estates. So too, the profits made by those who create supplementary texts to accompany such works.</p><p>Yet, such factors are little discussed in YA circles, lest they distract from the seemingly well-intended and righteous topics of pedagogical practice, the inclusion of traditionally marginalized voices, and what values are transmitted to children/young adults via the humanities.</p></blockquote><p><br /></p>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-10791539021304763832020-11-23T17:43:00.004-08:002020-11-23T17:44:11.651-08:00Emily August reviews Cat Dossett<p>We have learned of a generous review of one of last year's Komma Series chapbooks, <a href="http://penandanvil.com/chapbooks/komma-18-dossett/" target="_blank"><i>Odysseus & Eden</i></a> by <a href="http://twitter.com/aboutadaughter" target="_blank">Cat Dossett</a>:</p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p style="text-align: left;">Y’all, just yesterday I was musing about starting a utopian society organized around poetry. Lo and behold, today I picked up this little morsel of versitude from Pen and Anvil Press’s Komma Series, a series of micro-chapbook publications. Check out the series mission statement:<i>“The bite-sized booklets of the Komma Series are a mouthful of literature each, intended to be read in a single sitting. When you’re done with one, pass it along! Look for them lying around in Boston, Portland, or New York City. When you see one waiting to be read, go ahead and pick it up. Give it a home in your hands for a ten-minute lit snack. Then when you’re finished, leave it behind for the next person to find, in an ATM lobby, on a train station bench, in the coffeeshop, at the pub.” </i></p></blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p style="text-align: left;">Cat Dossett’s <i>Odysseus & Eden </i>is the 18th publication in the series. This smart, ruminating collection brings together three fascinating persona poems from the perspectives of three different mythical women: Penelope, Ophelia, and an unnamed Garden of Eden resident who seems to be Eve. These are feminist retellings that humanize and complicate three of western patriarchy’s most blamed and besieged female archetypes. The famously loyal Penelope, whose characteristic virtue is that she remained faithful to her absent husband Odysseus for twenty years despite over a hundred love interests, here finally unleashes her libidinal rage in a surprising way. Eve—the legendary scapegoat blamed for an entire humanity’s fall from grace (eye roll)—is reimagined as an embodied sexual subject who transgresses erogenous, rather than culinary, boundaries. And Ophelia, who we’re used to seeing as the tragic, long-suffering victim of Hamlet’s self-interested scheming, here compassionately contemplates her own history of mental illness.</p></blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p style="text-align: left;">The main theme Dossett draws from each tale is erotic betrayal, and the recurring image that links the poems together is blood, which smears and pools across the poems like an accusation. As a result, readers see these grossly twisted “love” stories for what they truly are. </p></blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p style="text-align: left;">Dossett highlights the ways in which women have historically been sacrificed for the preservation of various kinds of kingdoms, and the ways those sacrifices are naturalized and glorified by being codified as myth. Like the best myth and fairy tale revisions, these poems helped me reexamine and deeply reconsider what our treasured cultural legends are truly encoding and passing down. </p></blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><p style="text-align: right;"><b>#TheSealeyChallenge, day 28. </b></p></blockquote><p>The reviewer, <a href="https://www.facebook.com/emily.august.9/" target="_blank">Emily August</a>, is an Assistant Professor of literature at Stockton University, and she came to Dossett's work as part of <a href="https://bookriot.com/the-sealey-challenge/" target="_blank">the Sealey Challenge</a>, in which participants commit to reading a new book or chapbook of poetry every day in the month of August. If you'd like to receive a complimentary copy of one of our Pen & Anvil poetry publications for your own Sealey Challenge reviewing in 2021, <a href="mailto:press@penandanvil.com" target="_blank">drop us a line</a>. </p>Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-61867010452944873612020-09-12T12:57:00.009-07:002020-09-12T12:58:08.189-07:00Chateaubriand on the pelagian<blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><h2 style="text-align: left;"> “<b>Between the sea and
the land is a stretch of pelagian country . . . </b></h2><p><span style="font-size: large;">... where the frontiers of the two
elements become indistinct. Skylarks from the fields fly with sealarks. The
plow and the fishing boat, a stone’s throw apart, furrow the land and the water
alike. The sailor and the shepherd borrow from one another’s tongues: the
sailor says ‘the waves are flocking,’ and the shepherd speaks of ‘fleets of
sheep.’ The multicolored sands, the variegated heaps of shells, the kelp, and
the silvery fringe of foam rise up to the blond or green edges of the
wheatfields. I forget now on which Mediterranean island I saw a bas-relief
depicting the Nereids pinning scallops to the hem of Ceres’s robe.” </span></p><p>(from <i><a href="https://en.wikipedia.org/wiki/M%C3%A9moires_d%27Outre-Tombe" target="_blank">Memoirs from Beyond the Grave</a></i>, the
autobiography of François-René de Chateaubriand, 1848)</p></blockquote><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal"><o:p><br /></o:p></p>Hawk & Whippoorwillhttp://www.blogger.com/profile/04332253067679515561noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-68796115343118581862020-06-26T05:34:00.002-07:002020-06-26T05:35:50.952-07:00Seeing past the limits of majority status<div dir="ltr" style="text-align: left;" trbidi="on">
Over the past few years, a number of linkages have appeared to which connect New England and Nigeria in the network of Pen & Anvil collaborators. This relationship is the product of several factors, not the least of which is the 2016 publication of <a href="http://www.bu.edu/clarion/19/africa/" target="_blank">a portfolio of ten African writers</a> in <i>Clarion </i>magazine. (A tip of the hat here to editors Samantha Arnold and Emma Forbes for that work.) And the links in that network are growing all the time as we continue to share news of publication opportunities and new magazine issues and book launches, and engage in the chatter of social media.<br />
<br />
This background suffices to explain how it is we came to turn our attention to a Facebook conversation between young Nigerian authors. The conversation is paradigmatic of similar questions and answers being exchanged in literary spaces all over the map, as awareness of structural inequalities in the arts (as in all domains) creeps a little higher in the hierarchy of social concerns.<br />
<br />
<a href="https://www.facebook.com/esomnofu.ebelennamaxi/posts/3177862515592683">The original post</a> was authored by a young writer who expressed frustration with the "hypocrisy and double standard" applied to the depiction of cross-gender characters. He writes:<br />
<blockquote class="tr_bq">
In many writing groups, male writers continually ask fellow writers to "teach" them how to write female characters without annoying them or offending them. And I always think: No one has ever asked males to teach them how to write MALE characters without offending us! It appears to me that it is okay to portray "this gender that betrayed Jesus" any way we want, but an innocent description of a woman's breasts is objectification.</blockquote>
Anyone who has been in a mixed-gender workshop environment has likely heard expressions of this sort of frustration. There certainly are differences in how the act of depicting a gendered character in fiction is evaluated depending on the gender identity of the author. Is there any way to account for these differences, without coming to the pat conclusion that an unjust double standard exists?<br />
<br />
Into the conversation comes Chukwuebuka Ibeh. Based in Port Harcourt, the capital city of Rivers State, Chuk is a long-time Pen & Anvil contributor, with bylines in <i>Clarion</i>, <i>Charles River Journbal, NERObooks</i>, and <i>Ampersand</i>. His reply to the question above was so <i>cogent</i> that we asked his permission to reproduce here in full. He writes:<br />
<blockquote class="tr_bq">
Generally, when writing about (or from the perspective of) a minority, as someone who's not part of that minority group, it is reasonable enough that you get insights from actual members of the group. This is because your own privilege as a member of the majority could blind you to the realities of the group you're writing about, and you end up feeding into a stereotypical, drawn-from-the-closet, cliche narrative in your portrayal.</blockquote>
<blockquote class="tr_bq">
Now, specifically, when cismen write about women, there's often a tendency to present idealistic portrayals that most actual women are unable to relate to. You're a writer yourself so you should know what a cringeworthy storytelling is. (Straight) male writers almost always fail when describing women, as they are so fixated on the physical appearance (which is often inaccurately described) and fail to take into cognisance the complex emotional makeup of the character. They come to the script with basic, internalized ideas of what a woman "should be": soft, tender, curved, malleable, nice breast, shapely hips etc etc.</blockquote>
<blockquote class="tr_bq">
It's NOT exactly the same thing as a woman writing a man. There's a visibility of sorts that come with being the majority. You are basically the mainstream and so is your story. It's why queer people are more likely to write straight people better than vice versa, why black people are more likely to write white people better, etc etc.</blockquote>
This is a <i>great </i>answer! It doesn't punch up or down; it speaks across the table to a fellow writer, and invites that person to be a better writer (and a more compassionate human) by overcoming a natural inclination to prioritize one's experience of the world as most normal. The original poster agreed, writing as a reply: "Visibility, majority: these are the convincing words."<br />
<br />
All well worth quoting and sharing. You can connect with Chuk on Twitter, where he posts as <a href="https://twitter.com/ChukwuebukaIbe4">@ChukwuebukaIbe4</a>.</div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-67849236662746077182020-06-14T05:32:00.002-07:002020-06-15T13:26:36.946-07:00June 2020: Books Available for Review<div dir="ltr" style="text-align: left;" trbidi="on">
Reviewers interested in receiving one of the books listed below for a review to appear in <i>New England Review of Books</i> (full-length review or interview), <i>Clarion </i>(full-length, microreview, review column, or interview), <i>Pusteblume </i>(for works in translation), or <i>Poetry Northeast</i> (for works pertaining to poetry and poetics) are asked to email <a href="mailto:press@penandanvil.com">press@penandanvil.com</a> with a request. Please include any links to previous published reviews, and a brief description of the project you have in mind.<br />
<hr />
<ol>
<li><s>Albakry and Maggor: <a href="https://www.amazon.com/Tahrir-Tales-Egyptian-Revolution-Performance/dp/085742341X?tag=penanvil-20" target="_blank">Tahrir Tales: Plays from the Egyptian Revolution</a></s></li>
<li><s>Ben Hinson: <a href="https://www.amazon.com/Eteka-Rise-Imamba-Ben-Hinson/dp/0692470123?tag=penanvil-20" target="_blank">Eteka: Rise of the Imamba</a></s></li>
<li><s>Arlie Russell Hochschild: <a href="https://www.amazon.com/Strangers-Their-Own-Land-Mourning/dp/1536684937?tag=penanvil-20" target="_blank">Strangers in Their Own Land: Anger and Mourning on the American Right</a></s></li>
<li>Franck Salameh: <a href="https://www.amazon.com/Other-Middle-East-Anthology-Literature/dp/0300204442?tag=penanvil-20" target="_blank">The Other Middle East</a></li>
<li><s>J.D. Vance: <a href="https://www.amazon.com/Hillbilly-Elegy-Memoir-Family-Culture-ebook/dp/B079L5DDB4?tag=penanvil-20" target="_blank">Hillbilly Elegy</a></s></li>
<li><s>Gary Fincke: <a href="https://www.amazon.com/How-Blasphemy-Sounds-Gary-Fincke/dp/0615940412?tag=penanvil-20" target="_blank">How Blasphemy Sounds to God</a></s></li>
<li>Joan Naviyuk Kane: <a href="https://www.amazon.com/Milk-Black-Carbon-Pitt-Poetry/dp/0822964511?tag=penanvil-20" target="_blank">Milk Black Carbon</a></li>
<li><s>R. Marie Griffith: <a href="https://www.amazon.com/Moral-Combat-American-Christians-Fractured/dp/0465094759/?tag=penanvil-20" target="_blank">Moral Combat: How Sex Divided American Christians and Fractured American Politics</a></s></li>
<li>Nadya Hajj: <a href="https://www.amazon.com/Protection-Amid-Chaos-Creation-Palestinian/dp/0231180624?tag=penanvil-20" target="_blank">Protection Amid Chaos: The Creation of property Rights in Palestinian Refugee Camps</a></li>
<li><s>Joshua Bennett: <a href="https://www.amazon.com/Sobbing-School-National-Poetry/dp/0143111868/?tag=penanvil-20" target="_blank">The Sobbing School</a></s></li>
<li><s>Joel Edward Goza: <a href="https://www.amazon.com/Americas-Unholy-Ghosts-Racist-Politics/dp/1532651430?tag=penanvil-20" target="_blank">America's Unholy Ghosts</a></s></li>
<li>Alan King: <a href="https://www.amazon.com/Point-Blank-Poems-Alan-King/dp/0997797223/?tag=penanvil-20" target="_blank">Point Blank</a></li>
<li><s>Yahia Lababidi : <a href="https://www.amazon.com/Artist-Mystic-Conversations-Yahia-Lababidi/dp/0987276042?tag=penanvil-20" target="_blank">The Artist as Mystic</a></s></li>
<li>Umberto Saba: <a href="https://www.amazon.com/Ernesto-NYRB-Classics-Umberto-Saba/dp/1681370824/?tag=penanvil-20" target="_blank">Ernesto</a></li>
<li>Eilis Dillon: <a href="https://www.amazon.com/Island-Horses-Review-Childrens-Collection/dp/1590171020/?tag=penanvil-20" target="_blank">The Island of Horses</a></li>
<li>Ryunosuke Akutagawa: <a href="https://www.amazon.com/Mandarins-Stories-Ryunosuke-Akutagawa/dp/0977857603?tag=penanvil-20" target="_blank">Mandarins: Stories</a></li>
<li>Cass Sunstein: <a href="https://www.amazon.com/Republic-Divided-Democracy-Social-Media/dp/0691175519?tag=penanvil-20" target="_blank">#REPUBLIC: Divided Democracy in the Age of Social Media</a></li>
<li>Gabriel Gudding: <a href="https://www.amazon.com/Defense-Poetry-Pitt/dp/0822957868?tag=penanvil-20" target="_blank">A Defense of Poetry</a></li>
<li><s>Qais Akbar Omar: <a href="https://www.amazon.com/Fort-Nine-Towers-Afghan-Family/dp/0374157642/?tag=penanvil-20" target="_blank">A Fort of Nine Towers</a></s></li>
<li>Sergey Gandlevsky: <a href="https://www.amazon.com/Sergey-Gandlevsky/dp/0939010755?tag=penanvil-20" target="_blank">A Kindred Orphanhood</a></li>
<li>Viktor Sosnora: <a href="https://www.amazon.com/Million-Premonitions-Strange-Thoughts-Russian/dp/0939010763?tag=penanvil-20" target="_blank">A Million Premonitions</a></li>
<li>H. E. Bates: <a href="https://www.amazon.com/Month-Stories-Revived-Modern-Classic/dp/0811210367?tag=penanvil-20" target="_blank">A Month by the Lake and Other Stories</a></li>
<li>Katie Peterson: <a href="https://www.amazon.com/Piece-Good-News-Poems/dp/0374538883?tag=penanvil-20" target="_blank">A Piece of Good News</a></li>
<li>Owen Davies: <a href="https://www.amazon.com/Supernatural-War-Magic-Divination-during/dp/019879455X/?tag=penanvil-20" target="_blank">A Supernatural War: Magic, Divination and Faith during the First World War</a></li>
<li>Kristin Dimitrova: <a href="https://www.amazon.com/Visit-Clockmaker-Cork-2005-Translation/dp/1905002033?tag=penanvil-20" target="_blank">A Visit to the Clockmaker</a></li>
<li>A. Marie Houser: <a href="https://www.amazon.com/After-Coetzee-Anthology-Animal-Fictions/dp/0996624511?tag=penanvil-20" target="_blank">After Coetzee: An Anthology of Animal Fictions</a></li>
<li>Carrie Jerrell: <a href="https://www.amazon.com/After-Revival-Carrie-Jerrell/dp/1904130380?tag=penanvil-20" target="_blank">After the Revival</a></li>
<li>Alexandra Chreiteh: <a href="https://www.amazon.ca/Ali-Russian-Mother-Alexandra-Chreiteh/dp/1566560926?tag=penanvil-20" target="_blank">Ali and His Russian Mother</a></li>
<li>Paul Hudon: <a href="https://www.amazon.com/All-Good-Time-Paul-Hudon/dp/0931507294?tag=penanvil-20" target="_blank">All in Good Time</a></li>
<li>Michael Sims: <a href="https://www.amazon.com/Arthur-Sherlock-Conan-Creation-Holmes/dp/1632860392?tag=penanvil-20" target="_blank">Arthur and Sherlock: Conan Doyle and the Creation of Holmes</a></li>
<li>Justine Mintsa: <a href="https://www.amazon.com/Awus-Story-Novel-Justine-Mintsa/dp/1496206932?tag=penanvil-20" target="_blank">Awu's Story</a></li>
<li>Yahia Lababidi: <a href="https://www.amazon.com/Balancing-Acts-Selected-Poems-1993/dp/1941209378?tag=penanvil-20" target="_blank">Balancing Acts</a></li>
<li>Joshua Corey: <a href="https://www.amazon.com/Beautiful-Soul-American-Joshua-Corey/dp/092338958X?tag=penanvil-20" target="_blank">Beautiful Soul</a></li>
<li>Ann Morgan: <a href="https://www.amazon.com/Beside-Myself-Ann-Morgan/dp/1632864339?tag=penanvil-20" target="_blank">Beside Myself</a></li>
<li>Alex Epstein: <a href="https://www.amazon.com/Blue-Has-South-Alex-Epstein/dp/1566568064?tag=penanvil-20" target="_blank">Blue Has No South</a></li>
<li>Jack Kohl: <a href="https://www.amazon.com/Bone-over-Ivory-Jack-Kohl/dp/0578473542?tag=penanvil-20" target="_blank">Bone Over Ivory</a></li>
<li>Tom Sexton: <a href="https://www.amazon.com/Bridge-Street-at-Dusk-Poems/dp/0931507340?tag=penanvil-20" target="_blank">Bridge Street at Dusk</a></li>
<li>Syeus Mottel: <a href="https://www.amazon.com/Charas-Improbable-Builders-Syeus-Mottel/dp/1945711051?tag=penanvil-20" target="_blank">Charas: The Improbable Dome Builders</a></li>
<li>Clint Smith: <a href="https://www.amazon.com/Counting-Descent-Clint-Smith/dp/1938912659?tag=penanvil-20" target="_blank">Counting Descent</a></li>
<li>Richard Littler: <a href="https://www.amazon.com/Discovering-Scarfolk/dp/0091958482?tag=penanvil-20" target="_blank">Discovering Scarfolk</a></li>
<li>Machado de Assis: <a href="https://www.amazon.com/Dom-Casmurro-Library-Latin-America/dp/0195103084?tag=penanvil-20" target="_blank">Dom Casmurro</a></li>
<li><s>Mary Maxwell: <a href="http://longnookbooks.com/index.php/emporia?tag=penanvil-20" target="_blank">Emporia</a></s></li>
<li>Outcast: <a href="https://www.amazon.com/Outcast-Feridon-Rashidi-ebook/dp/B00LOTZEE8/?tag=penanvil-20" target="_blank">Feridon Rashidi</a></li>
<li>Szilárd Borbély: <a href="https://www.amazon.com/Final-Matters-Selected-2004-2010-Translation/dp/0691182434/?tag=penanvil-20" target="_blank">Final Matters: Selected Poems, 2004-2010</a></li>
<li>Michael Wolff: <a href="https://www.amazon.com/Fire-Fury-Inside-Trump-White/dp/1250158060/?tag=penanvil-20" target="_blank">Fire and Fury</a></li>
<li>Austin Smith: <a href="https://www.amazon.com/Flyover-Country-Poems-Princeton-Contemporary/dp/0691181578?tag=penanvil-20" target="_blank">Flyover Country</a></li>
<li>Tess Taylor: <a href="https://www.amazon.com/Forage-House-Tess-Taylor/dp/1597092703?tag=penanvil-20" target="_blank">Forage House</a></li>
<li>Brenda Hillman: <a href="https://www.amazon.com/Fortress-Wesleyan-Poetry-Brenda-Hillman/dp/0819511684?tag=penanvil-20" target="_blank">Fortres2</a></li>
<li>Kelly and Zetzsche: <a href="https://www.amazon.com/Found-Translation-Language-Shapes-Transforms/dp/039953797X?tag=penanvil-20" target="_blank">Found in Translation: How Languages Shapes Our Lives and Transforms Our World</a></li>
<li>Lawrence Shainberg: <a href="https://www.amazon.com/Four-Men-Shaking-Searching-Beckett/dp/1611807298?tag=penanvil-20" target="_blank">Four Men Shaking</a></li>
<li>Michael Schmidt: <a href="https://www.amazon.com/Gilgamesh-Life-Poem-Michael-Schmidt/dp/0691195242/?tag=penanvil-20" target="_blank">Gilgamesh: The Life of a Poem</a></li>
<li>Micklethwait and Wooldrige: <a href="https://www.amazon.com/God-Back-Global-Revival-Changing/dp/1594202133?tag=penanvil-20" target="_blank">God Is Back</a></li>
<li>Alyson Foster: <a href="https://www.amazon.com/Heart-Attack-Watch-Alyson-Foster/dp/1620405431?tag=penanvil-20" target="_blank">Heart Attack Watch</a></li>
<li>Michael Shermer: <a href="https://www.amazon.com/How-We-Believe-Search-Science/dp/071673561X?tag=penanvil-20" target="_blank">How We Believe: The Search for God in an Age of Science</a></li>
<li>ed. Roberta Micallef: <a href="https://www.amazon.com/Illusion-Disillusionment-Travel-Writing-Modern/dp/0674984471?tag=penanvil-20" target="_blank">Illusion and Disillusionment: Travel Writing in the Modern Age</a></li>
<li>Kodi Scheer: <a href="https://www.amazon.com/Incendiary-Girls-Stories-Kodi-Scheer/dp/0544300467?tag=penanvil-20" target="_blank">Incendiary Girls</a></li>
<li>Phillipa K. Chong: <a href="https://www.amazon.com/Inside-Critics-Circle-Reviewing-Uncertain/dp/069116746X?tag=penanvil-20" target="_blank">Inside the Critic's Circle</a></li>
<li>Allen Ginsberg: <a href="https://www.amazon.com/Iron-Curtain-Journals-January-May-1965/dp/0816699593/ref=sr_1_1?ie=UTF8&qid=1540229675&sr=8-1&keywords=Iron+Curtain+Journals&dpID=511dftSCnYL&preST=_SY291_BO1,204,203,200_QL40_&dpSrc=srch?tag=penanvil-20" target="_blank">Iron Curtain Journals: January-May 1965</a></li>
<li>Stanley Moss: <a href="https://www.amazon.com/Its-About-Time-Stanley-Moss/dp/1937679551?tag=penanvil-20" target="_blank">It's About Time</a></li>
<li>Elizabeth and Stephen Ferry: <a href="https://www.kickstarter.com/projects/296107474/la-batea-impressions-of-gold-in-colombia?tag=penanvil-20" target="_blank">La Batea</a></li>
<li>Liliana Ursu: <a href="https://www.amazon.com/Lightwall-by-Liliana-Ursu-2009-06-06/dp/B01K90Z050?tag=penanvil-20" target="_blank">Lightwall</a></li>
<li>Kevin Gallagher: <a href="https://www.amazon.com/Loom-MR-Kevin-Gallagher/dp/1941196322?tag=penanvil-20" target="_blank">Loom</a></li>
<li>Meia Geddes: <a href="https://www.amazon.com/Love-Letters-World-Meia-Geddes/dp/1945366885?tag=penanvil-20" target="_blank">Love Letters to the World</a></li>
<li>Melissa Green: <a href="https://www.amazon.com/MAGPIETY-MELISSA-GREEN/dp/069240385X?tag=penanvil-20" target="_blank">Magpiety</a></li>
<li>Matt Rader: <a href="https://www.amazon.com/What-Want-Tell-Goes-Like/dp/0889713065?tag=penanvil-20" target="_blank">What I Want To Tell Goes Like This</a></li>
<li>Jack Nicholls: <a href="https://www.amazon.com/Beards-Rock-visual-dictionnary-facial/dp/2374950042?tag=penanvil-20" target="_blank">Meat Songs</a></li>
<li>Catao and Obstfield: <a href="https://www.amazon.com/Meeting-Globalizations-Challenges-Policies-Trade/dp/0691188939?tag=penanvil-20" target="_blank">Meeting Globalization's Challenges: Policies to Make Trade Work for All</a></li>
<li><s>Serhiy Zhadan: <a href="https://www.amazon.com/Mesopotamia-Margellos-World-Republic-Letters/dp/0300223358/?tag=penanvil-20" target="_blank">Mesopotamia</a></s></li>
<li>Michael Lista: <a href="https://www.amazon.com/Strike-Anywhere-Essays-Reviews-Arsons/dp/0889843929?tag=penanvil-20" target="_blank">Strike Anywhere</a></li>
<li>Mary Maxwell: <a href="http://longnookbooks.com/index.php/nine-over-sixes/9-list/26-about-nine-over-sixes?tag=penanvil-20" target="_blank">Nine Over Sixes</a></li>
<li>Richard Fein: <a href="https://www.amazon.com/Not-Separate-Surge-Selected-1984-2015/dp/1938144406/?tag=penanvil-20" target="_blank">Not a Separate Surge</a></li>
<li>Hugo Mercier: <a href="https://www.amazon.com/Not-Born-Yesterday-Science-Believe/dp/0691178704/?tag=penanvil-20" target="_blank">Not Born Yesterday</a></li>
<li>Glyn Maxwell: <a href="https://www.amazon.com/Poetry-Glyn-Maxwell/dp/0674725662?tag=penanvil-20" target="_blank">On Poetry</a></li>
<li>Karen Swallow Prior: <a href="https://www.amazon.com/Reading-Well-Finding-through-Great/dp/1587433966?tag=penanvil-20" target="_blank">On Reading Well: Finding the Good Life through Great Books</a></li>
<li>David Ferry: <a href="https://www.amazon.com/This-Side-River-Selected-Poems/dp/1904130526?tag=penanvil-20" target="_blank">On This Side of the River</a></li>
<li>B. J. Novack: <a href="https://www.amazon.com/One-More-Thing-Stories-Contemporaries/dp/0804169780?tag=penanvil-20" target="_blank">One More Thing: Stories and Other Stories</a></li>
<li>Thanassis Valtinos: <a href="https://www.amazon.com/Orthokost%C3%A1-Novel-Margellos-Republic-Letters/dp/0300209991?tag=penanvil-20" target="_blank">Orthokosta</a></li>
<li>James Fenton: <a href="https://www.amazon.com/Out-Danger-Poems-James-Fenton/dp/0374524378?tag=penanvil-20" target="_blank">Out of Danger</a></li>
<li>Paula Arai : <a href="https://www.amazon.com/Painting-Enlightenment-Healing-Visions-Heart/dp/1611807565?tag=penanvil-20" target="_blank">Painting Enlightenment: Healing Visions of the Heart Sutra</a></li>
<li><s>Fei-Hsien Wang: <a href="https://www.amazon.com/Pirates-Publishers-Copyright-Histories-Economic/dp/0691171823/?tag=penanvil-20" target="_blank">Pirates and Publishers: A Social History of Copyright in Modern China</a></s></li>
<li>Michael E. Bratman: <a href="https://www.amazon.com/Planning-Time-Self-Governance-Practical-Rationality/dp/0190867868/ref=sr_1_1?ie=UTF8&qid=1540229823&sr=8-1&keywords=planning+time+and+self+governance&dpID=51-QXkKUFbL&preST=_SY291_BO1,204,203,200_QL40_&dpSrc=srch?tag=penanvil-20" target="_blank">Planning, Time, and Self-Governance: Essays in Practical Rationality</a></li>
<li>Marko Vešović: <a href="https://books.google.com/books/about/Polish_Cavalry.html?id=DWk6twAACAAJ?tag=penanvil-20" target="_blank">Polish Cavalry</a></li>
<li>Subcomandante Marcos: <a href="https://www.amazon.com/Professionals-Hope-Selected-Writings-Subcomandante/dp/0996778659?tag=penanvil-20" target="_blank">Professionals of Hope: The Selected Writings of Subcomandante Marcos</a></li>
<li>Ray Greenblatt: <a href="http://www.goodreads.com/book/show/20761534-twenty-years-on-graysheep-bay-by-ray-greenblatt?tag=penanvil-20" target="_blank">Twenty Years on Graysheep Bay</a></li>
<li>Mary Fulbrook: <a href="https://www.amazon.com/Reckonings-Legacies-Persecution-Quest-Justice/dp/0190681241?tag=penanvil-20" target="_blank">Reckonings: Legacies of Nazi Persecution and The Quest for Justice</a></li>
<li>Hank Fox: <a href="https://www.amazon.com/Red-Neck-Blue-Collar-Atheist/dp/0615429904?tag=penanvil-20" target="_blank">Red Neck, Blue Collar Atheist</a></li>
<li>Kniss and Numrich: <a href="https://www.amazon.com/Sacred-Assemblies-Civic-Engagement-Immigrants/dp/0813541700?tag=penanvil-20" target="_blank">Sacred Assemblies and Civic Engagement: How Religion Matters for America's Newest Immigrants</a></li>
<li>Marzanna Kielar: <a href="https://www.amazon.com/Salt-Monody-Polish-Writing-English/dp/0939010860?tag=penanvil-20" target="_blank">Salt Monody</a></li>
<li>Theophile Gautier: <a href="https://www.amazon.com/Selected-Lyrics-Margellos-Republic-Letters/dp/0300181558?tag=penanvil-20" target="_blank">Selected Lyrics</a></li>
<li>Giovanni Pascoli: <a href="https://www.blogger.com/blogger.g?tag=penanvil-20" target="_blank">Selected Poems</a></li>
<li>Hose Danial Garcia: <a href="https://toadpress.blogspot.com/2017/08/shadowslongshoreman.html?tag=penanvil-20" target="_blank">shadowslongshoreman</a></li>
<li>Whiskey Radish: <a href="https://radishwoik.blog/?tag=penanvil-20" target="_blank">Snow Walk (a hand-illustrated chapbook)</a></li>
<li>Ladette Randolph: <a href="https://www.amazon.com/Ploughshares-Solos-Omnibus-Catherine-Browder-ebook/dp/B016NBDVA0?tag=penanvil-20" target="_blank">Solos Volume 3 (an omnibus of Ploughshares fiction)</a></li>
<li>Josef Sorett : <a href="https://www.amazon.com/Spirit-Dark-Religious-History-Aesthetics/dp/0199844933?tag=penanvil-20" target="_blank">Spirit in the Dark: A Religious History of Racial Aesthetic</a></li>
<li>Alison Hawthorne Deming: <a href="https://www.amazon.com/Stairway-Heaven-Poems-Penguin-Poets/dp/0143108859?tag=penanvil-20" target="_blank">Stairway to Heaven</a></li>
<li>Carl Phillips: <a href="https://www.amazon.com/Carl-Phillips/dp/1943977658/?tag=penanvil-20" target="_blank">Star Map with Action Figures</a></li>
<li>Dora Malech: <a href="https://www.amazon.com/Stet-Poems-Princeton-Contemporary-Poets/dp/0691181446?tag=penanvil-20" target="_blank">Stet</a></li>
<li>Edward Mackay: <a href="https://www.amazon.com/Swarming-Edward-MacKay/dp/1844719081?tag=penanvil-20" target="_blank">Swarming</a></li>
<li>Michael Filimowicz: <a href="https://www.amazon.com/Tatvan-Short-Collection-Michael-Filimowicz/dp/1490349367?tag=penanvil-20" target="_blank">Tatvan</a></li>
<li>Nancy Willard: <a href="https://www.amazon.com/Adventures-Anatole-Nancy-Willard/dp/1681372924?tag=penanvil-20" target="_blank">The Adventures of Anatole</a></li>
<li>Ryan Honeyman: <a href="https://www.amazon.com/Corp-Handbook-Business-Force-Good/dp/1626560439?tag=penanvil-20" target="_blank">The B Corp Handbook</a></li>
<li>Duo Duo: <a href="https://www.amazon.com/Boy-Who-Catches-Wasps-Selected/dp/0939010704/?tag=penanvil-20" target="_blank">The Boy Who Catches Wasps</a></li>
<li>Kate Tempest: <a href="https://www.amazon.com/Bricks-that-Built-Houses/dp/1620409011?tag=penanvil-20" target="_blank">The Bricks That Built the Houses</a></li>
<li>Andrew March: <a href="https://www.amazon.com/Caliphate-Man-Popular-Sovereignty-Islamic/dp/0674987837?tag=penanvil-20" target="_blank">The Caliphate of Man</a></li>
<li><s>Bryan Caplan: <a href="https://www.amazon.com/Case-against-Education-System-Waste/dp/0691174652?tag=penanvil-20" target="_blank">The Case Against Education</a></s></li>
<li><s>Natalya Semenova: <a href="https://www.amazon.com/Collector-Story-Sergei-Shchukin-Masterpieces/dp/0300234775?tag=penanvil-20" target="_blank">The Collector: The Story of Sergei Shchukin and His Lost Masterpieces</a></s></li>
<li>Rochard Hatch: <a href="https://www.amazon.com/Curious-Lobster-Richard-W-Hatch/dp/1681372886?tag=penanvil-20" target="_blank">The Curious Lobster</a></li>
<li>Sergio Chejfec: <a href="https://www.amazon.com/Dark-Sergio-Chejfec/dp/1934824437/?tag=penanvil-20" target="_blank">The Dark</a></li>
<li>Johanna Skibsrud: <a href="https://www.amazon.com/Description-World-Johanna-Skibsrud/dp/192808821X?tag=penanvil-20" target="_blank">The Description of the World</a></li>
<li>Buchanan and Powell: <a href="https://www.amazon.com/Evolution-Moral-Progress-Biocultural-Theory/dp/0190868414/ref=sr_1_1?ie=UTF8&qid=1540229912&sr=8-1&keywords=The+Evolution+of+Moral+Progress%3A+A+Biocultural+Theory&dpID=51poC91PtUL&preST=_SY291_BO1,204,203,200_QL40_&dpSrc=srch?tag=penanvil-20" target="_blank">The Evolution of Moral Progress: A Biocultural Theory</a></li>
<li>Magnus Mills: <a href="https://www.amazon.com/Field-Cloth-Gold-Magnus-Mills/dp/1632862867?tag=penanvil-20" target="_blank">The Field of the Cloth of Gold</a></li>
<li>Nicholas Buccola: <a href="https://www.amazon.com/Fire-upon-Us-Baldwin-William/dp/0691181543?tag=penanvil-20" target="_blank">The Fire Is Upon Us: James Baldwin and William F. Buckley Jr. and the Debate over Race in America</a></li>
<li>Ivo Goldstein: <a href="https://www.amazon.com/Holocaust-Croatia-Pitt-Russian-European/dp/0822944510?tag=penanvil-20" target="_blank">The Holocaust in Croatia</a></li>
<li>Edmund Gordon: <a href="https://www.amazon.com/Invention-Angela-Carter-Biography/dp/0190626844?tag=penanvil-20" target="_blank">The Invention of Angela Carter: A Biography</a></li>
<li>Laura Van Den Berg: <a href="https://www.amazon.com/Isle-Youth-Laura-van-Berg/dp/0374177236?tag=penanvil-20" target="_blank">The Isle of Youth</a></li>
<li>Ilija Trojanow: <a href="https://www.amazon.com/Lamentations-Zeno-Novel-Ilija-Trojanow/dp/178478219X?tag=penanvil-20" target="_blank">The Lamentations of Zeno</a></li>
<li>Meia Geddes: <a href="https://www.amazon.com/Little-Queen-Meia-Geddes/dp/1945366664/?tag=penanvil-20" target="_blank">The Little Queen</a></li>
<li>Andrus Kivirähk: <a href="https://www.amazon.com/Man-Who-Spoke-Snakish/dp/0802124127/?tag=penanvil-20" target="_blank">The Man Who Spoke Snakish</a></li>
<li>John Burnside: <a href="https://www.amazon.com/Music-Time-Poetry-Twentieth-Century/dp/178125561X/?tag=penanvil-20" target="_blank">The Music of Time</a></li>
<li>Michael Tennesen: <a href="https://www.amazon.com/Next-Species-Future-Evolution-Aftermath/dp/1451677529?tag=penanvil-20" target="_blank">The Next Species: The Future of Evolution in the Aftermath of Man</a></li>
<li>Helen Vendler: <a href="https://www.amazon.com/Ocean-Bird-Scholar-Essays-Poetry/dp/0674984080?tag=penanvil-20" target="_blank">The Ocean, The Bird and the Scholar: Essays on Poets & Poetry</a></li>
<li>Marina Keegan: <a href="https://www.amazon.com/Opposite-Loneliness-Essays-Stories/dp/1476753911?tag=penanvil-20" target="_blank">The Opposite of Loneliness: Essays and Stories</a></li>
<li>Leonard Kress: <a href="https://www.amazon.com/Orpheus-Complex-Leonard-Kress/dp/1599481723?tag=penanvil-20" target="_blank">The Orpheus Complex</a></li>
<li>Kirk Wulf: <a href="https://books.google.com/books/about/The_Partly_Chosen.html?id=OYLEPAAACAAJ?tag=penanvil-20" target="_blank">The Partly Chosen (pamphlet)</a></li>
<li>Michael Bazzett (trans.): <a href="https://www.amazon.com/Popol-Vuh-Seedbank-Michael-Bazzett/dp/1571314687/ref=sr_1_1?ie=UTF8&qid=1540229758&sr=8-1&keywords=the+popol+vuh+michael+bazzett&dpID=31KkbmDlgfL&preST=_SY291_BO1,204,203,200_QL40_&dpSrc=srch?tag=penanvil-20" target="_blank">The Popol Vuh</a></li>
<li>Kathleen Graber: <a href="https://www.amazon.com/River-Twice-Poems-Princeton-Contemporary/dp/0691193215?tag=penanvil-20" target="_blank">The River Twice</a></li>
<li>Olafur Gunnarsson: <a href="https://www.amazon.com/Thaw-Olafur-Gunnarsson/dp/098494396X?tag=penanvil-20" target="_blank">The Thaw: Stories</a></li>
<li>Angela Flournoy: <a href="https://www.amazon.com/Turner-House-Hardcover-April-2015/dp/B010EWO7PW?tag=penanvil-20" target="_blank">The Turner House</a></li>
<li>Jerry Z. Muller: <a href="https://www.amazon.com/Tyranny-Metrics-Jerry-Z-Muller/dp/0691174954?tag=penanvil-20" target="_blank">The Tyranny of Metrics</a></li>
<li>Miller Oberman: <a href="https://www.amazon.com/Unstill-Ones-Poems-Princeton-Contemporary-ebook/dp/B071NF1F1Q?tag=penanvil-20" target="_blank">The Unstill Ones</a></li>
<li>Bo Balder: <a href="https://www.amazon.com/Wan-Bo-Balder-2016-01-15/dp/B01K2WKK5U?tag=penanvil-20" target="_blank">The Wan</a></li>
<li>Iman Humaydan: <a href="https://www.amazon.com/Weight-Paradise-Iman-Humaydan/dp/1566560551?tag=penanvil-20" target="_blank">The Weight of Paradise</a></li>
<li>Robert Priest: <a href="https://www.amazon.com/Robert-Priest/dp/1928088295/?tag=penanvil-20" target="_blank">The Wolf Is Back</a></li>
<li>Joan Dempsey: <a href="https://www.amazon.com/This-How-Begins-Joan-Dempsey/dp/1631523082?tag=penanvil-20" target="_blank">This Is How It Begins</a></li>
<li>Jedediah Purdy: <a href="https://www.amazon.com/This-Land-Our-Struggle-Commonwealth/dp/0691195641/?tag=penanvil-20" target="_blank">This Land Is Our Land: The Struggle for a New Commonwealth</a></li>
<li>Renee Emerson: <a href="https://www.amazon.com/Threshing-Floor-Renee-Emerson/dp/0936481129?tag=penanvil-20" target="_blank">Threshing Floor</a></li>
<li>Maxim D. Shrayer: <a href="https://www.amazon.com/Voices-Jewish-Russian-Literature-Anthology-Eastern/dp/1618117920?tag=penanvil-20" target="_blank">Voices of Jewish-Russian Literature: An Anthology</a></li>
<li>Naomi Oreske: <a href="https://www.amazon.com/Trust-Science-University-Center-Values/dp/069117900X/?tag=penanvil-20" target="_blank">Why Trust Science</a></li>
<li>Edmund Jorgensen: <a href="https://www.amazon.com/World-Enough-Time-Edmund-Jorgensen-ebook/dp/B07ND6ZV7C?tag=penanvil-20" target="_blank">World Enough (And Time)</a></li>
<li>Raquel Balboni: <a href="http://www.grolierpoetrybookshop.org/~shop/xxx-poems/422993/?tag=penanvil-20" target="_blank">XXX Poems</a></li>
<li>Eleanor Wilner: <a href="https://www.amazon.com/Before-Our-Eyes-1975-2017-Contemporary/dp/0691193339/?tag=penanvil-20" target="_blank">Before Our Eyes</a></li>
<li>Debbie Blue: <a href="https://www.amazon.com/Consider-Women-Provocative-Guide-Matriarchs/dp/0802874290/?tag=penanvil-20" target="_blank">Consider the Women: A Provocative Guide to Three Matriarchs of the Bible</a></li>
<li>Kathryn T. Long: <a href="https://www.amazon.com/God-Rainforest-Martyrdom-Redemption-Amazonian/dp/0190608986?tag=penanvil-20" target="_blank">God in the Rainforest</a></li>
<li>Nancy Freund Bills: <a href="https://www.amazon.com/Red-Ribbon-Memoir-Lightning-Rebuilding/dp/1631525735?tag=penanvil-20" target="_blank">The Red Ribbon: A Memoir of Lightning and Rebuilding After Loss</a></li>
<li>Marilyn McEntyre: <a href="https://www.amazon.com/When-Poets-Pray-Marilyn-McEntyre/dp/0802876587?tag=penanvil-20" target="_blank">When Poets Pray</a></li>
<li>Debasish Lahiri: <a href="https://www.amazon.in/Tinder-Tender-Poems-Love-Loitering/dp/B07HTKPFXR?tag=penanvil-20" target="_blank">Tinder Tender</a></li>
<li>Nathan J. Robinson: <a href="https://www.amazon.com/My-Affairs-Magazine-Industry-2016-2076/dp/1707295638?tag=penanvil-20" target="_blank">My Affairs: A Memoir of the Magazine Industry 2016-2076</a></li>
<li>Abhay K.: <a href="https://www.amazon.in/100-More-Great-Indian-Poems/dp/9388038894?tag=penanvil-20" target="_blank">100 More Great Indian Poems</a></li>
<li><s>Jane LaForge: <a href="https://www.amazon.com/Daphne-Discontents-Jane-Rosenberg-LaForge/dp/0998546380?tag=penanvil-20" target="_blank">Daphne and Her Discontents</a></s></li>
<li>Richard Scholar: <a href="https://www.amazon.com/%C3%89migr%C3%A9s-French-Words-Turned-English/dp/0691190321/?tag=penanvil-20" target="_blank">Émigrés: French Words That Turned English</a></li>
<li>Jeffrey H. Ryan: <a href="https://www.amazon.com/Hermit-Mysterious-Life-Jim-Whyte-ebook/dp/B085X3B2BS?tag=penanvil-20" target="_blank">Hermit - The Mysterious Life of Jim Whyte</a></li>
<li>Goirick Brahmachari: <a href="http://www.amazon.in/dp/9385917153?tag=penanvil-20" target="_blank">Joining the Dots</a></li>
<li>Molly McCully Brown: <a href="https://www.amazon.com/Places-Ive-Taken-My-Body/dp/0892555130?tag=penanvil-20" target="_blank">Places I've Taken My Body</a></li>
<li>Bruce Bond: <a href="http://www.bibliovault.org/cgi-bin/DeliverADE.epl?transid=APDQKnaK2MeLPcoQ?tag=penanvil-20" target="_blank">Immanent Distance: Poetry and the Metaphysics of the Near at Hand</a></li>
<li>Vanesha Pravin: <a href="https://www.amazon.com/Disorder-Phoenix-Vanesha-Pravin-2015-10-09/dp/B019NRIUFW?tag=penanvil-20" target="_blank">Disorder</a></li>
<li>CP Surendran: <a href="http://speakingtigerbooks.com/books/available-light/?tag=penanvil-20" target="_blank">Available Light</a></li>
</ol>
</div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-5381638891691237772020-06-12T11:25:00.001-07:002020-06-12T11:25:24.033-07:00Crytids, Comics, and Sfé R. Monster<div><br /></div><div>For fans of cryptids, try Canadian trans artist <b>Sfé R. Monster</b>'s collection of monster-centric comics.</div><div><br /></div><div>Included below is <i><a href="https://www.eths-skin.com/">Eth's Skin</a></i>, a webcomic with a focus on "<b>mermaids, selkies, and sea monsters</b> living in the old growth forests along the northern coast of British Columbia." Gorgeous character designs and visuals---plus this particular webcomic is free-to-read.</div><div><br /></div><div><a href="https://www.eths-skin.com/"><img alt="" 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" style="text-align: center;" /></a></div><div><br /></div><div>Sfé explains their method on their <a href="https://www.patreon.com/sfemonster">Patreon page</a> thusly:</div><blockquote><div><span style="background-color: white; color: #241e12; font-family: aktiv-grotesk, sans-serif; font-size: 16px;">I create exclusively queer and genderqueer stories- comics that explore the width and breadth of gender identity, and showcase and celebrate the diversity of queerness. </span></div></blockquote><div><span style="background-color: white; color: #241e12; font-family: aktiv-grotesk, sans-serif; font-size: 16px;"></span><blockquote><span style="background-color: white; color: #241e12; font-family: aktiv-grotesk, sans-serif; font-size: 16px;">I am also a monster enthusiast, having made projects ...</span><span style="background-color: white; color: #241e12; font-family: aktiv-grotesk, sans-serif; font-size: 16px;"> that investigate the weird, wonderful, and occasionally woeful creatures that lurk around the edge of our reality. </span> </blockquote></div><div><br /></div><div>Mystical beasts are an area of interest for us at Pen & Anvil. We are huge fans of <b>Jorge Luis Borges and his <i>Book of Imaginary Being</i>s</b>, even contributing new entries with our "<a href="http://www.bu.edu/clarion/17/imaginary-beings.htm">New Book of Imaginary Beings</a>," published to<a href="http://www.bu.edu/clarion/17/"> <i>Clarion </i>issue 17</a> in the winter of 2014. Over on Twitter, @<a href="https://twitter.com/dasneuesbuch">dasneuesbuch</a> serves as our tribute to Borges' bestiary.</div>Cat Dossetthttp://www.blogger.com/profile/16775559086741021371noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-19092140702317053292019-12-27T06:03:00.003-08:002019-12-27T06:03:39.548-08:00Grolier Picks: Books for Winter Reading<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;">From time to time, the staff of America's longest-running poetry-only bookshop, the logically-named Grolier Poetry Book Shop in Harvard Square, release a list of recommended titles from their current stock. Here is their list for the last week of December 2019.</span><br />
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<a href="https://www.amazon.com/Some-Trees-Yale-Younger-Poets/dp/0300246374?tag=thewonref-20" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJHzTJUcLoXLclFg34y_FKGlAVpMs2bx-AsYQ8wqmFRKsGhlEdrIGwtmBpWqOcF7rA8N0oFoOSlopGMFKvNetfXvUvrVVdut0TTAXQfcd9UJii_8LJIPxG5TmqJQBEuPUkALKs1fnfHJo/s320/ashbery.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Some-Trees-Yale-Younger-Poets/dp/0300246374?tag=thewonref-20" target="_blank">SOME TREES</a> by John Ashbery</span></b><br />
Comparing him to T. S. Eliot, Stephanie Burt writes that Ashbery is “the last figure whom half of the English-language poets alive thought a great model, and the other half thought incomprehensible.” After the publication of <i>Some Trees</i>, W. H. Auden famously confessed that he didn't understand a word of it. Most reviews were negative. But in this first book of poems from one of the century's most important poets, one finds the seeds of Ashbery's oeuvre, including the influence of French surrealists—many of whom he translated—and abstract expressionism.<br />
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<a href="https://www.amazon.com/Wake-Siren-Resung-Nina-MacLaughlin/dp/0374538581?tag=thewonref-20" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGaE2pDUbILa_yCoE31zuZQpudQAz01cCT3lSm1FhudJ9XJhaekaRj4oVHSm-YtQQ3Lfsl2ktCnfE6AKa9zu2fCDEIKE2Pg-6RJCKB-501fXTtJO_Czx6iznwwq_MMeSK93sbQpdMiMws/s1600/maclaughlin.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Wake-Siren-Resung-Nina-MacLaughlin/dp/0374538581?tag=thewonref-20" target="_blank">WAKE, SIREN</a> by Nina MacLaughlin</span></b><br />
<i>"I am the home of this story. After thousands of years of other people's tellings, of all these different bridges, of words gotten wrong, I'll tell it myself." </i>Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? Wake, Siren revisits each account of love, loss, rape, revenge, and change. Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, author Nina MacLaughlin recovers what is lost when the stories of women are told and translated by men, breathing new life into these fraught and well-loved myths.<br />
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<a href="https://www.amazon.com/Emily-Dickinson-New-Directions-Paperbook/dp/0811216837?tag=thewonref-20" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5nhJqXzZe4AbgiXPZVAslg8VQR8L-idxlwcBz98NC7oILnRLna2oRpiW5hvgyXS7dylE9eil75abgzgJ6lkYlFbM92UYfRk0_zSRS0ufMs2ITiIfrpa1nETUHA1zzMlj1KEevTk-IH-Q/s1600/howe.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Emily-Dickinson-New-Directions-Paperbook/dp/0811216837?tag=thewonref-20" target="_blank">MY EMILY DICKINSON</a> by Susan Howe</span></b><br />
Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—shows ways in which earlier scholarship has shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, “My Life had stood—a Loaded Gun,” Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day.<br />
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<a href="https://www.amazon.com/Chinua-Achebe-Collected-Poems/dp/1400076587?tag=thewonref-20" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMLIvNUF8Sg1zIzDf3YgXPs1nYYoV-0t6mzXr8aHjz52qS8IXB8ppTPUfrIcP5rGTdV2OY-fGc-CX8PghAK-kFPMIWqvggCY3QsITzOZmJN8Qs2JM0XlewrstkVxN65jNIOd_LUYdydAg/s320/achebe.jpg" width="90" /></a></div>
<b><span style="font-size: large;"><a href="https://www.amazon.com/Chinua-Achebe-Collected-Poems/dp/1400076587?tag=thewonref-20" target="_blank">COLLECTED POEMS</a> of Chinua Achebe</span></b><br />
"The father of African literature in the English language and undoubtedly one of the most important writers of the second half of the twentieth century," writes critic Caryl Phillips. Chinua Achebe's award-winning poems are marked by a subtle richness and the political acuity and moral vision that are a signature of all of his work. Focused and powerful, and suffused with wisdom and compassion, <i>Collected Poems</i> is further evidence of this great writer's sublime gifts and it is an essential part of the oeuvre of a giant of world literature.<br />
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<a href="https://www.amazon.com/Woolgathering-Patti-Smith/dp/0811219445?tag=thewonref-20" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoy6Z99GHBIwxvEE-PCCvwd3bG_pKQUt5ix5lgroMvGg8MIOV4B2ijccwrrGBvLKWgrvjJjX0T1LX9rih4g0-7Pdkrq8u6fbl0L9IovTNatwuKBjitfGk7H_da3N4XuakZQ7OGmEU-1GY/s320/smith.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Woolgathering-Patti-Smith/dp/0811219445?tag=thewonref-20" target="_blank">WOOLGATHERING</a> by Patti Smith</span></b><br />
In this small, luminous memoir, the National Book Award-winning author revisits the most sacred experiences of her early years, with truths so vivid they border on the surreal. The author entwines her childhood self—and its "clear, unspeakable joy"—with memories both real and envisioned from her twenties on New York's MacDougal Street.<br />
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<a href="https://www.amazon.com/Thousand-Mornings-Poems-Mary-Oliver/dp/0143124056?tag=thewonref-20" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJDrd7Pw4X03AJ10xsen19JZNH82dB-QrtUBIefhEiYiVZWtMKRkV5h9C-KtFHqMEspHPsDzl0leq2HBF4z42U7LvNb3szjHloT4P5B3hQeBkgeV_bPMAGBrLUTqayFhvw6tzBHmjhhLI/s320/oliver.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Thousand-Mornings-Poems-Mary-Oliver/dp/0143124056?tag=thewonref-20" target="_blank">A THOUSAND MORNINGS</a> by Mary Oliver</span></b><br />
In this collection, Mary Oliver returns to the imagery that has come to define her life's work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.<br />
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<a href="https://www.amazon.com/Felon-Poems-Reginald-Dwayne-Betts/dp/0393652149?tag=thewonref-20" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5_TDXZFekaMRBiX0yBKN2tZ0ZFe0g5qHEH4qoupXl4sCl0Rj6rJ8_ys5g4rhu3liLIL7t8jSAwMfNn69XvV0k3JxyMPsPfwn41DeYqHl6-TInN9u1eXgAaxUqaIyZPMWHAEJZherzMmg/s320/betts.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Felon-Poems-Reginald-Dwayne-Betts/dp/0393652149?tag=thewonref-20" target="_blank">FELON</a> by Reginald Dwayne Betts</span></b><br />
These fierce, dazzling poems tell the story of the effects of incarceration, canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace. Betts confronts the funk of post-incarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person's life.The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume's radiant conclusion.
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<a href="https://www.amazon.com/Odes-Horace-David-Ferry-1998-10-30/dp/B01K9549C0?tag=thewonref-20" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEpwh3vTZg-MydsNoFj_Mr_IoeI-5P9LAPWIjTDmpRX1URlM-nRX9MNrACh7IWXwtbruMhKk6hRaf5ZDcIBeRpzPoaSBp4M5s7KtD-GScJUG3dgDhvLlgr1zZ0N8h5c3zTdQ4uDxSs4H4/s320/ferry.jpg" width="90" /></a></div>
<b><span style="font-size: large;"><a href="https://www.amazon.com/Odes-Horace-David-Ferry-1998-10-30/dp/B01K9549C0?tag=thewonref-20" target="_blank">THE ODES OF HORACE</a> translated by David Ferry</span></b><br />
The Latin poet Horace is, along with his friend Virgil, the most celebrated of the poets of the reign of the Emperor Augustus, and, with Virgil, the most influential. These marvelously constructed poems with their unswerving clarity of vision and their extraordinary range of tone and emotion have deeply affected the poetry of Shakespeare, Ben Jonson, Herbert, Dryden, Marvell, Pope, Samuel Johnson, Wordsworth, Frost, Larkin, Auden, and many others, in English and in other languages. Ferry's inspired new translation of the complete <i>Odes </i>of Horace conveys the wit, ardor and sublimity of the original with a music of all its own.
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<a href="https://www.amazon.com/Bluets-Maggie-Nelson/dp/1933517409?tag=thewonref-20" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2_TD0hxJaOKi1VWVvDb4TbVflmuyvFIkeQW6XBrvqV8sjwb_E50WZaByET44pdFyUNHaQC8YPAQ039hLUk6-Gi2F_X4VNbxjnX-oFfcI5DSp48joVkwgbEx6vGFrnrslBixFhNEKuD0U/s320/nelson.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Bluets-Maggie-Nelson/dp/1933517409?tag=thewonref-20" target="_blank">BLUETS</a> by Maggie Nelson</span></b><br />
Since it was first published a decade ago, <i>Bluets </i>has drawn scores of readers with its surprising insights into the emotional depths that make us most human—via two hundred and forty short pieces, by turns lyrical and philosophical, on the color blue. The new beautiful hardcover edition from Wave Books celebrates Nelson's uncompromising vision, inviting longtime fans and newcomers alike to experience and share in an indispensable work that continues to disrupt the literary landscape.
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<a href="https://www.amazon.com/Ceremonial-Entries-Joseph-Deroche/dp/1950063321?tag=thewonref-20" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFpTUBFprk6u8sCGNne1oLjPWh64DY6ccmsy13zLOtDMHbosEekDki52xobpne4WBfejz89mMZpqsUE4_DeKtVUyRcMNCS4Ckyf2WNYGJbSvas5xa0e-9q2foBeTqZ06wzQQbnx3iGoBU/s320/deroche.jpg" width="90" /></a><b><span style="font-size: large;"><a href="https://www.amazon.com/Ceremonial-Entries-Joseph-Deroche/dp/1950063321?tag=thewonref-20" target="_blank">CEREMONIAL ENTRIES</a> by Joe DeRoche</span></b><br />
In these tough-minded and tender-hearted poems, DeRoche explores the spiritual and secular frameworks used to assess the competing claims of body, mind, and soul, and of faith and doubt in divinity, love, and poetry itself. The ceremonies lead from struggles between conflicting goods toward acceptance that the world and our experience of it is always sacred and profane: a place where Satan may be a saint and the light in an image of the infant Jesus Christ can seem as earthbound as celestial, where love can redeem and debase, where poetry can transform, disinfect, and merely feint or fail or cheat.
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Grolier Poetry Book Shop, at 6 Plympton Street in Cambridge, is open Tuesday and Wednesday from 11-7, and Thursday through Saturday from 11-6. Find them online at <a href="http://www.twitter.com/Grolier_Poetry" target="_blank">Twitter</a>, <a href="http://www.facebook.com/grolierpoetrybookshop" target="_blank">Facebook</a>, <a href="http://grolierpoetry.tumblr.com/" target="_blank">Tumblr</a> and <a href="https://www.instagram.com/grolierpoetry/" target="_blank">Instagram</a>, or on their website at <a href="http://www.grolierpoetrybookshop.org/index.html" target="_blank">www.grolierpoetrybookshop.org</a>. The Shop is a historic place for poetry lovers and poetry makers, and they deserve your business. Stop by and buy a book, and let them know that Pen & Anvil sent ya.</div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-68443305112524155792019-11-21T06:42:00.002-08:002019-11-21T06:45:33.102-08:00"Crossed wires. I'm clueless. Got it!"<div dir="ltr" style="text-align: left;" trbidi="on">
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(<a href="https://penandanvil.blogspot.com/search/label/annals%20of%20an%20editor" style="color: #444444;">Annals of an Editor, #7</a>9)</h4>
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<b>Typically the entries in <a href="https://penandanvil.blogspot.com/search/label/annals%20of%20an%20editor">Annals of an Editor</a> </b>are drawn from my correspondence with authors hoping to work with my small press. This time around, I would like to share an exchange that took place on Facebook.<br />
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An academic acquaintance of mine is the editor of a book being released this week. I saw an announcement about the release, and commented, giving him the email address for our <a href="https://twitter.com/nerobks" target="_blank"><i>New England Review of Books</i></a>. My thinking it would be useful for the publisher to have yet another contact for potential reviews coverage. Well, things got a little tense, if not quite outwardly antagonistic.<br />
<a name='more'></a><br />
This spat of social media unfriendliness illustrates an important point. The lesson here might be for me to mind my own beeswax even if I think I'm being helpful. "Stay in your lane" also comes to mind. Wouldn't a greater sense of professionalism in my role as editor shield me from this kind of fracas? On the continuum between "helpful neighbor" amateurism, and "arch gatekeeper" elitism, I could perhaps stand to move a few increments away from the former and toward the latter. (Though not <i>too</i> far away from the former. As I wrote in my last <a href="https://penandanvil.blogspot.com/2018/03/thanks-for-rejection.html" target="_blank">Annals of an Editor entry</a>, I really do think that "Kindness, in short, is good business.")<br />
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Without the unambiguous signals of profit and loss that I'd have steering my decisions in a for-profit setting, I have to rely on my own recognition of values to know when to engage and when to move on. Which is exhausting and perilous.<br />
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Or perhaps the less should be that social media is not a place for genuine connection, where trust and proximity enables network-building and mutual aid. Wait... does capitalism infest tech as it infects all things, commodifying the human and undermining social connectivity? <b><span style="background-color: yellow;">I T D O E S.</span></b> (Or perhaps I was just being a testy prat. <a href="https://www.buzzfeed.com/alexlee/porque-no-los-dos" target="_blank">¿Porque no los dos?</a>)<br />
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Below is our exchange. I have edited slightly for readability. - ZB<br />
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<b>AN EDITOR I KNOW:</b> (<i>title of new book</i>) will be released this Friday! I'm tagging people in this post in hopes they'll want to share this information online. (<i>includes a link to the poster's personal website, where there is a page announcing the launch of the book.</i>)<br />
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<b>FRIEND 1</b>: Pre-ordered.<br />
<b>FRIEND 2</b>: Looking forward to it!<br />
<b>FRIEND 3</b>: Honored to be a part of it! (This is an author; the book in question is an edited volume.)<br />
<b>FRIEND 4</b>: no one in my family who are interested but me.<br />
<b>FRIEND 5</b>: Pre-ordered...<br />
<b>FRIEND 6</b>: I’ll buy it immediately.<br />
<b>FRIEND 7</b>: I can't wait for this one!<br />
(<i>etc: a good handful of affirmative replies from other Facebook users</i>)<br />
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<b>ZACHARY BOS:</b> Feel free to add editors@nerobooks.org to the publicity list.<br />
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<b>EDITOR: </b>Who are they, and why?<br />
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<b>ZB: </b>(<i>a bit irritated at the decision to reply curtly rather than looking at the URL before asking</i>) A book reviewing venue; book reviews can help to drive sales.<br />
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<b>EDITOR: </b>Have you seen the blurbs for this book?<br />
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<b>ZB:</b> Nope! But they'd doubtless be included in the publicity pack? I only thought to invite you to send the <i>NERObooks</i> email address to the publicist, because (the listed publisher of the book in question) does not list a contact address or number -- for publicity or otherwise -- on their website.<br />
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<b>EDITOR: </b>Check them out! (<i>links to book page on his personal website</i>) One wonders if we need any more?<br />
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<b>ZB: </b>(thinking the editor is, with that last comment, calling into the question for more blurbs) By "reviews", I'm referring to post-publication reviews of the book, in critical venues, rather than pre-publication marketing endorsements (blurbs) solicited by the publishers/editors/authors.<br />
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<b>EDITOR: </b>Thanks. I knew that. Why would you think I need to solicit reviews?<br />
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<b>ZB: </b>I wouldn't think you do. But, I presume the publisher is doing pre- and post-publication publicity, with an eye toward obtaining review coverage? And re: "Thanks I knew that"... I didn't catch that you were being rhetorical, viz. "one wonders if we need any more (publicity than is represented by these reviews)". Truth be told, I have dealt with authors before who don't have experience in book marketing or publishing, and who have not known the difference between a blurb and a review. I had no reason to attribute that lack of experience to you, but I'm also not clear why you sent me a list of blurbs when I was passing on to a review venue with a particular interest in books regarding secular culture. Call it crossed wires. (smiley emoji)<br />
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<b>EDITOR: </b>Yes. Crossed wires. I'm clueless. Got it!<br />
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<b>ZB: </b>I can't account for the apparent tension here. In any case, you're welcome to pass the publicity contact on to your publisher.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAkuq3k82d2OspzGodjY2aaxz1p_-Ax1xXeIuvh7U4TLvLy1rE9p5aRuR6KWHL3XHOFc2LpVlhPiak7U84QFNMTuqMCkDQe_uIhunMkdlGyq6NQH_tKJXC_XJkBQ1mlzHWV-yJsmLOIGs/s1600/Screen-Shot-2015-03-26-at-4.00.53-PM.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="309" data-original-width="497" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAkuq3k82d2OspzGodjY2aaxz1p_-Ax1xXeIuvh7U4TLvLy1rE9p5aRuR6KWHL3XHOFc2LpVlhPiak7U84QFNMTuqMCkDQe_uIhunMkdlGyq6NQH_tKJXC_XJkBQ1mlzHWV-yJsmLOIGs/s320/Screen-Shot-2015-03-26-at-4.00.53-PM.png" width="320" /></a></div>
Maybe a secondary lesson is, don't work with publishers who don't list publicity contacts on their website? Shrug. The graphic at right is meant to underscore today's theme of miscommunication. Source unknown; perhaps <i>The New Yorker</i>.<br />
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Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-4479655225648876612019-10-23T08:33:00.000-07:002019-10-30T10:43:56.226-07:00An Immigration Story<div dir="ltr" style="text-align: left;" trbidi="on">
<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq2vQE7nyOBV9q8694RDfoRRa8ml3_CVquabYxaAn2h9mpm6T-uCL9FQxnw55RUx0yjabnMgAQJViZTnTue6WVOPvTkYxeSUlxRrRTux4i2NtAX5bXNQsagxevdMNX-eGk3rhVTq_OBp4/s320/photo-1464038008305-ee8def75f234.jpg" width="100%" />
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<i>Chukwuebuka Ibeh is a stringer for the </i><a href="https://twitter.com/nerokbs" target="_blank">New England Review of Books</a><i>. He is based in Port Harcourt, Nigeria, and writes to us to share his recent interaction with the passport authorities there.</i><br />
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<strong>On a rainy Friday morning in August</strong>, I sat in a small room on the second floor of the Federal Immigration Service Office in Port Harcourt. I wanted to finally do what I had put off doing for a long time—get a passport. I had earlier been connected to an agent who would help guide me through the process. He was not on site when I arrived, so he instead referred me to a co-worker. I was then asked to wait for a minute, and then for a few minutes, and then for a few hours. Finally, when I was called in to submit my application documents and sit for a brief interview, it was almost evening. When I protested over the long wait, I was told I was lucky to have gotten it done today at all.<br />
When I asked how long it would take to get the passport, I was told three weeks.<br />
I asked, why does it take such a long time?<br />
They were currently out of materials, he said. And when the materials do eventually arrive, the people who paid for express delivery would be attended to first.<br />
I paused. I wanted to point out the absurdity of a government office not having the basic materials needed for its running, and wanted to further point out the irony of express delivery. But I was exhausted from the long wait, and late in getting home home, and three weeks wasn’t so bad. So, I let it go.<br />
I returned to school in Bayelsa—a neighboring state—the next day. Tied up with schoolwork, I forgot about the application, allowing for a full month to pass before I called the agent to find out my pickup date. The materials had still not arrived. His tone was apologetic, but removed. He assured me they would definitely arrive the following week. <br />
I called him back on the Friday of the following week. He picked on the third ring and gave me the news in a somber, almost reluctant, manner: no, the materials had not arrived. Not even the ones for express-delivery. When I asked what could possibly be the cause of the delay, he sighed vaguely. <br />
I lost my patience when I called three weeks later to be greeted yet again with the news of the passport’s non-arrival. I raised my voice, calling out the government’s ineptitude, and even threatening to withdraw my application if care was not taken. (In retrospect, I found this funny—for it was only myself who would stand to lose if a withdrawal was effected) The agent waited until my tirade was over before telling me, in a calm voice, that the situation was hardly his fault, and that if anyone needed to be shouted at, it wasn’t him.<br />
In the second week of October, I commenced exams for the second semester of my penultimate year. Preoccupation with these took my mind off the passport for a while, at least consciously. On a Thursday of the third week of the month, I had reason to briefly visit Port Harcourt, and I called, sensing as I did that some hopeful news awaited me. The agent’s silence after our first hello dispelled this hope. <br />
Instead of asking if the passport had arrived, I asked him if it would ever arrive.<br />
Surely, he said.<br />
When?<br />
Very soon.<br />
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<em><strong>Chukwuebuka Ibeh</strong> is a staff writer for </em><a href="https://twitter.com/brittlepaper" target="_blank">Brittle Paper</a><em>, with writing most recently in </em><a href="https://twitter.com/mcsweeneys" target="_blank">McSweeney's</a><em> and on the short list for the Gerald Kraak Prize. Connect with him on <a href="https://twitter.com/ChukwuebukaIbe4" target="_blank">Twitter</a>. || Photo by <a href="https://unsplash.com/@randomlies" target="_blank">Ashim D’Silva</a>, showing the silhouette of a person at Ronald Reagan Washington National Airport; via Unsplash. || Readers may also enjoy the story <a href="http://penandanvil.com/crj/2/floyd-miller/3.html" target="_blank">"At the Airport in Kalai"</a> by Floyd J. Miller, appearing in a 2009 issue of </em><a href="https://twitter.com/therealcrj" target="_blank">The Charles River Journal</a><i>; and "<a href="http://www.columbia.edu/itc/mealac/pritchett/00ambedkar/txt_ambedkar_waiting.html" target="_blank">Waiting for a Visa</a>" by B.R. Ambedkar, written in 1935 or '36.</i></div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com1tag:blogger.com,1999:blog-6834482611503847475.post-64377966625108280532019-04-10T08:09:00.000-07:002019-05-23T08:10:11.785-07:00What is in a marketing prospectus?<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://www.hubspot.com/flywheel" imageanchor="1" style="margin-left: 2em; margin-right: 2em;"><img border="0" data-original-height="409" data-original-width="605" height="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ5US9ej3zv6eBnpvHUT6_w-l3_fK2YWv4m8BGGuh5kcTBzrfZzPob87BnpkJfjDx10T8H8s7XKTE9ka7Cg6wZ0FbZACfgvxWQsJhEobxRxVjrQPa6wW1qxBwuuER6UGPv_b8fSp8lyyI/s320/funnel.jpg" width="70%" /></a></div>
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<b>So, you've completed a manuscript... congratulations! </b>And now you want to start sending it to publishers. (Or, shopping it to agents.) Many shops -- <a href="http://penandanvil.com/submit">Pen & Anvil</a> is one of them -- are prepared to consider a book proposal only if it comes attached to a marketing prospectus. What goes <i><b>into </b></i>such a thing?<br />
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Well, details and requirements vary. You can find detailed accounts of what is most useful to include in such a document in any guide to submissions, or by consulting an experienced editor or agent; but in our view at Pen & Anvil we believe a prospectus should definitely include:<br />
<ul style="text-align: left;">
<li>an account of what books in market are comparable to yours (and how you made that determination), along with their sales prominence/numbers</li>
<li>an account of how you'd intend to participate in the sales marketing process -- festivals? course adoptions? reading groups? store appearances? leveraging your social media network? -- in the 1-2 years following your book's publication</li>
<li>an account of your promotional resources as an author (the size and <a href="https://en.wikipedia.org/wiki/Klout">Klout </a>of your social media audience is relevant, but the more relevant question is: can you explain how you've had success using that social media network to drive a sales campaign, or something analogous like a petition, event registration, etc?)</li>
<li>a list of your primary "connections" in the literary sales space -- editors, program heads, etc; and so on. </li>
</ul>
The whole document might come in at 2-4 pages. Your prospectus should be geared toward answering three questions in the affirmative:<br />
<ol style="text-align: left;">
<li><b>Has this author given serious thought to the work involved in promoting a book?</b></li>
<li><b>Does this author have a realistic understanding of how their book compares to books in the market?</b></li>
<li><b>Do resources existent to convert promotional labor into sales results for this book?</b></li>
</ol>
This might seem like a big ask, even an impediment. "I just wrote a BOOK! Why do I have to do all this additional work?" Actually, though, don't be discouraged by the requirement to prepare a prospectus. You should want only to work with a publisher who is considering the book through the lens of market prospects. If you aren't being asked questions up front, why should you trust that the publisher is oriented and equipped to connect an audience to your project?<br />
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You don't have to be a marketing expert to prepare a prospectus -- no publisher is going to expect you to lay out your philosophical preference for <a href="https://www.hubspot.com/flywheel">the funnel model versus the flywheel</a>, for example. But you do need to be willing to work collaboratively with your publisher on the marketing and promotion of your book if you want to maximize your audience size. Each side is bringing something to the table: your publisher has the business systems, production acumen, and market intelligence; you have the authorial skill, the intellectual property, and the personal incentive. Together, you should work out a plan to work as an integrated marketing team so that your book can be discovered, sold, read, and enjoyed by the reader you want to connect with.</div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-50501721365796875252018-12-03T06:26:00.000-08:002019-12-05T06:46:34.136-08:00On "humankind & nature"<div dir="ltr" style="text-align: left;" trbidi="on">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://sas.rutgers.edu/signature-courses/1436-human-nature-and-human-diversity" target="_blank" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHLlwzTB6HWBsMkWpCN1q5UIdTpbbCJPxLV_3DJ8rGK8cfHDqDz9IFfCl964SUimyMrfu1w2X7GrdCpcvDkQR86vJH2HQNzm2Azk9v78Exq83-KPv8tIceqoRkN_qrCikjUaBIUUi-eDY/s320/SC_Human_Nature_and_Diversity.jpg" width="100%" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Graphic from the homepage for the course "Human Nature and Human Diversity" at Rutgers University.</td></tr>
</tbody></table>
The following text was included in a call for submissions sent out earlier this year for <a href="http://penandanvil.com/hw" target="_blank">our journal of nature poetry</a>:<br />
<blockquote class="tr_bq">
<i> Hawk & Whippoorwill</i>, whose theme is “man and nature,” is now reading submissions for our December issue. We invite you to submit yourselves, or, to share this call for submissions with other writers in your circle.<br />
Originally published back in the 60s, <i>H&W</i> has been host to poets from all walks of life, and we hope to continue that tradition with the “new series” revival of the magazine ... We will gladly accept any unpublished poems which deal with our theme of man and nature. (Of course, we read “man” as “humanity” here, not as a gendered term. While we inherit the original tagline, we are definitely interested in challenging its restrictive implication!)</blockquote>
Among the replies we received to this solicitation, we got a particularly thought-provoking email from Barbara Ras. She wrote:<br />
<a name='more'></a><blockquote class="tr_bq">
I applaud your mission. As an <a href="http://tupress.org/" target="_blank">editor</a> and <a href="https://www.poetryfoundation.org/poets/barbara-ras" target="_blank">poet</a> whose work both professionally and personally has revolved around themes of people, nature, landscape, sustainability, etc, I have to register my concern about you have positioned your publication about "man and nature." It is very much out of sync with what I perceive as the current ethos, despite your disclaimers that "man" is not a gendered or exclusionary term. There are so many ways you could position your work as inclusive of humans, beyond the out-of-date descriptive "man." I urge you to try to do so. Otherwise, I think you will come off as a bit out of pace with contemporary norms, where gender is a lot more fluid than simply male or female. Aren't we all humans, striving to do our best for our home planet?<br />
I, for one, would not submit to your publication given your restrictive use of the term "man."<br />
That said, I do wish you all success in fulfilling your mission and in giving much-needed attention to the issues that plague the intersection of humans and nature in the world.</blockquote>
She closed with sincere best wishes, leaving us to wrestle with the question of how to keep faith with the history of the magazine we revived, without compromising our values by using exclusionary language. Her message deserved a long response, so I wrote:<br />
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It was the founding editor, August ("Augie") Derleth, who launched the journal in the 60s with the tagline "poems of man & nature"; we inherited that language when we received permission from his daughter, April Derleth, to revive the publication in a new series. When we write, "we read 'man' as 'humanity'", that's a statement of editorial intent to position the new Hawk & Whippoorwill inclusive of a broader view than that implied, passively but insidiously and pervasively, by the gendered terms of an earlier generation.<br />
Is it naive of me (at least, I don't feel it is faint-hearted) to wish to keep the original "man and nature" language, while also spotlighting, in our outreach, in our editor's notes, and in all other points of articulation, our repudiation of that kind of gendered terminology and its related thinking? We've discussed this time and again in our back of the house conversations, and the wary consensus has been that if we replace "man and nature" with "humanity and nature", we've washed the spot off, so to speak, but we've lost the obvious occasion to beat the drum for a more expansive view of human belonging.<br />
So, to be clear -- I agree with you. Back in 2008, at the launch of the new series, we decided to keep the "man and nature" phrase as a historical feature of the magazine, and to accept the risk of being misunderstood as endorsing its outdated implications. The advantage of doing so, in my view, is that this gives us an ongoing occasion to explicitly repudiate those implications.<br />
It was good of you to take the time to write. I'll share your email with the other Pen & Anvil principals, and we'll revisit the question of whether we want to make a different choice moving forward. We may keep the phrasing or we may change it, but I can assure you we won't make the decision thoughtlessly.<br />
Aren't all humans, striving to do our best for our home planet? Not the kleptocrats, the kakistocrats and the plutocrats, and the voters who look to those classes as aspirational models. Those cousin tribes have found a renewed sense of common purpose, and it isn't in a shared morality of inclusiveness, or a shared ethic of respect for the natural world.<br />
This year happens to be the 40th anniversary of Arkham House, the publishing enterprise founded by Augie and which carries on to this day under April's leadership. Perhaps that's a good occasion to undertake an essay on the relationship between our human tendency to category and dichotomize, and the continuities and fluidities of nature, and the relationship between language and values, and language and being. Perhaps with some attention as well to the question of whether humankind is a part of nature, or whether it has been set upon this earth to reign over it. I'd have thought that we were evolved enough in values to realize that only the former could possibly be true, but then I read of what Zinke and Pruitt and their ilk, and their counterparts in industry and in other nations, are getting up to, and one feels the heart harden. Would you permit me to quote your email in such an essay, if it comes about?<br />
I'll let you know whether we decide to stay with the "man and nature" tagline, or update it.</blockquote>
Reading this over now, my reply then strikes me as a bit curt! I have a habit of being prolix, and I was in 2018 making a game effort to be more concise. (Perhaps we all hate to look at our past correspondence, just as we don't like the sound of our own voice when recorded and played back?) In any case, Barbara soon replied:<br />
<br />
I'm overwhelmed by your thoughtful and eloquent response to my email. It's clear you've already wrestled with this issue at great length and depth. You honor me to provide so much background to your efforts and so much information about the history of your publication. Of course, you can quote me any way you'd like.<br />
<br />
Not all of my editorial letter-writing is so full of good will and generosity. I ended up not finding the time to write that essay this year, but I remain preoccupied by the questions Barbara and I discussed and touched upon over email. And of course, I continued to think about the phrase "man & nature," discussing the issue with <i>H&W</i> contributors and with our new editor <a href="https://twitter.com/coriolanussum" target="_blank">Cory Willingham</a>. I quote my email exchange with Barbara here on the blog in order to provide a bit of context for the following announcement...<br />
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<span style="font-size: x-large;">Henceforth, the mission of <i>Hawk & Whippoorwill</i> will be the publication of "poems of nature & humankind."</span></blockquote>
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The following note from me will appear on the website for our forthcoming winter solstice issue, as "<a href="http://penandanvil.com/hw/6/editorial/" target="_blank">A post-script from the Publisher</a>":<br />
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I invite you to note the change of our tagline, live in this issue and reflected on the cover and throughout our webpage. We've gone from "poems of man and nature" to "poems of nature and humankind." We value the legacy we inherited when we re-started the magazine founded by Augie Derleth, but we don't think we're breaking faith with any important principle by updating our language. As a practical matter, there's no reason we need to be shackled to outdated language; and as a moral matter, we aren't interested in even incrementally contributing to the persistence of certain old and in many ways ugly attitudes about gender, sex, identity, and human worth. - ZWB</blockquote>
I'm personally grateful to Barbara for being bold enough to let us know it was a mistake to continue uncritically using the language we inherited from an earlier era.<br />
<br />
<i>Text quoted from emails has been edited for concision and clarity.</i><br />
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Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-35316795438679133492018-10-29T02:29:00.000-07:002018-10-29T02:29:05.127-07:00Sven Birkerts on the Digital Submissions Tempo<div dir="ltr" style="text-align: left;" trbidi="on">
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The monthly email newsletter <i>AGNI </i>sends to subscribers and supporters is worth reading, but as far as I can tell, the mini-essays that editor <a href="https://twitter.com/svenbirkerts" target="_blank">Sven Birkerts</a> contributes to these newsletters aren’t available elsewhere. Wanting to share these more widely, I’ve elected to re-print some of these newsletter essays here on <i>Ampersand</i>. <b>Enjoy!</b> </blockquote>
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<b>- ZB </b></blockquote>
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“AGNI's Own Midnight Madness”<br />by Sven Birkerts</h2>
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<span style="font-family: Georgia, Times New Roman, Times, serif, serif, EmojiFont;"><span style="color: #990000;">[The <i>AGNI </i>email newsletter, October 2018.]</span> </span><span style="font-family: Georgia, "Times New Roman", Times, serif, serif, EmojiFont; font-size: 12pt;">I've been thinking a lot about the literary arts just recently. I don't mean literary in the already-between-covers-and-on-the-shelves sense. I'm focused, rather, on the poetry and prose now coming to AGNI over the transom.</span></div>
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Pouring in, I should say. On September 1st - as every year - we re-opened our online Submission Manager, which had been closed since the end of May. Opening day always brings a deluge from writers who've been waiting to send work all summer. It's Midnight Madness - quite literally. That's when the sluices open.</div>
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Having been out of town for the first few days of the month, I was braced to find more submissions than usual on my return. I was not braced to find 970 lined up in a queue. 970! Screen after screen of stories, poems, and essays - all to to be opened and read, all bearing the invisible good-luck hexes of their authors.</div>
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The number shocked me backwards out of my chair. I saw in a flash what I would be doing for the next weeks, maybe months. The thought of so many hours nearly overwhelmed me. But then, as if in compensation, there came a new and more lifting recognition.</div>
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It was a recognition, simply, of the unending stream of the new. Having been caught up for years in the unchanging repetitions - click, read, evaluate - I'd all but lost sight of what was - <em>is</em> - going on under that grid: a movement not unlike that of history itself. All of us at AGNI are posted right at the intersection, where private visions meet the cultural moment. I think of myself as a broker, a weatherman.</div>
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<br /><span style="font-size: 12pt;">Energized by the realization, I started in on my reading. And, as always happens, I found myself asking the old questions: What is it that makes for freshness? What compels my deepest attention?</span></div>
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<span style="font-size: 12pt;">This time the answer was quick in coming. I'm looking for (<em>we're</em> looking for) writing that catches experience before the crusts of habit form - poetry and prose that has a genuine pulse. I'm especially interested in work from younger writers who are not yet curating themselves as a brand-in-the-making. They have the least pre-filtered sense of our times. They are likely to be the most in touch with the atmosphere of the now, the so-called <em>Zeitgeist</em>.</span></div>
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<br /><span style="font-size: 12pt;">The culture, we know, changes constantly. I've been minding the store here long enough to assert that the work coming to us now is different from ten years ago. How could it not be? A writer's expression encodes the times in all sorts of ways. It foregrounds new themes, tweaks syntax and rhythm, and often tries to veer away from former innovations that have become stale.</span></div>
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<br /><span style="font-size: 12pt;">Reading, I'm watchful. I can't help but note the subtle changes of tone and the effects that go against expectation. They indicate the particular momentum of the times.</span></div>
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What are writers doing that feels different?</div>
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<span style="font-size: 12pt;">Years ago, I wrote some essays that asked how the features of our flourishing virtual culture would ever find their way into literature. Could our screen-intensive lives be conveyed in interesting ways? Could writers be of the times and also use the materials of the times to create strong narratives? Maybe those writers had the same hesitations, because for more than a few years I saw little evidence of change.</span></div>
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<br /><span style="font-size: 12pt;">But times are different now. A generation of digital natives has joined the ranks. They're everywhere, striving to render their lives. Reading submissions, I find that Google, YouTube, Twitter, and dating apps are not only part of the subject matter in all three genres, they are affecting modes of narration. Fewer stories and essays, I notice, rely on sequential telling. Lateral association is far more common, perhaps reflecting the logic of the link.</span></div>
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<span style="font-size: 12pt;">So our fast-changing world presses steadily against the supposedly closed order of the written work. How could it not? We all track the news cycle nowadays, absorbing its energies and anxieties. Submissions have grown more dystopian, and utopian - both. I also see - no surprise - more exploration of the tensions around race, around gender imbalances, around acts of violence and coercion . . . </span><br /> </div>
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<span style="font-size: 12pt;">I also notice more specific trends. I'm reading more "premise" stories - stories in which some unusual situation is set out and then worked through. A man wakes up to find his wife has vanished; a forgotten girlhood friend appears on a woman's doorstep . . . There are dozens of variants, most focusing on actions and reactions in the outer world and steering clear of murkier psychological interiors. I wonder about this. Are we losing the taste for inwardness? And what if we are? </span><br /> </div>
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<span style="font-size: 12pt;">In nonfiction submissions, meanwhile, I'm encountering all kinds of "instruction" or "hermit crab" essays, where a non-literary structure serves as basis: numbered how-to lists - for example, "How to break up with your girlfriend" and so on. I'm also reading many more so-called braided essays, which weave a personal strand together with a counterpoint - about the history of hot-air balloons, say. The expository threads are clearly pulled together from online research. The writer arranges interesting bits to play off of the more personal narration. It's for the reader to integrate the dissonance. Both of these modes seem to me responses to the almost unmanageable complexity of our new world.</span><br /> </div>
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Finally, in the poems we receive, I have to remark how many proceed by chopping what are ultimately prose narratives into lines. Freed from formal expectations, the poets seem to ramble garrulously, and the idea seems to be that the digressions are often where the meaning is to be found. The poet trusts that voice and quirky turns will carry the day.<br /> </div>
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These are only a few of the trends - there are of course others. It's like we are all crossing a rickety bridge across a chasm. We can still see the ledge behind us, but there's no clear view ahead. Writers respond as they need to. Some of the pieces I read feel like old patterns and conceits retooled for fresh uses - true originality is always in short supply. But I also see work that takes on the new unknown in brave and original ways. Stories, poems, and essays arrive that are attuned to what Seamus Heaney called "the music of what happens." This is the needed thing that we want to keep passing along to our readers.</div>
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Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-86805614238517976182018-10-23T03:20:00.000-07:002018-10-23T03:20:35.451-07:00If Abebooks shuts you down, where will you go?<div dir="ltr" style="text-align: left;" trbidi="on">
<i>The following message was posted to the message board of the International League of Antiquarian Booksellers, and is reproduced here with the author's permission. - ZB</i><br />
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<b>To whom it may concern:</b><br />
<br />
<a href="http://www.valentinska.cz/">Antikvariat Valentinska</a> is a large antiquarian bookstore based in the centre of Prague, Czech Republic. We have been selling books through ZVAB for about 15 years now. In 2014, we joined AbeBooks; in 2015, ZVAB definitely ceased to exist as a distinct website for booksellers.<br />
<br />
Meanwhile, Abebooks has become the largest and almost singular marketplace for selling antiquarian books on a worldwide basis. The simple truth is that whether someone likes it or not, there is no reasonable alternative to AbeBooks at the moment.<br />
<br />
In all those years, we have done our best to satisfy our customers and to maintain the best seller rating. We have never encountered a major complaint, neither by our customers nor by the administrators of AbeBooks. Whatever money we have taken in, we have regularly shared the agreed upon portion of our profit with the owners. Currently, we offer more than 20,000 individual titles on AbeBooks, from the Late Middle Ages to brand-new books.<br />
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On Thursday, 18 October, we received the following email from the seller support of AbeBooks:<br />
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Effective November 30, 2018, AbeBooks will no longer support sellers located in certain countries. Your business is located in one of the affected countries and your AbeBooks seller account will be closed on November 30, 2018. We apologize for this inconvenience.</blockquote>
The decision to close our account on such short notice has come as a complete shock, especially since no reason was not given even upon request. Just our company alone will almost certainly have to dismiss at least five employees. Furthermore, we do not have any idea where else to sell about 20,000 foreign books.<br />
<br />
We are deeply concerned about this step, not only because of our own financial losses to come.<br />
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In light of the monopoly position of AbeBooks, closing all seller accounts in the Czech Republic, Poland and Hungary (as far as we know, these are the countries concerned) will basically mean nothing short of cutting these countries off from the worldwide trade with antiquarian books. Which countries will be next?<br />
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Whatever the reasons may be, the fair worldwide trade with antiquarian books will not profit from this step.<br />
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We therefore kindly ask the AbeBooks and Amazon administration to reconsider this unfortunate and discriminatory step.<br />
<br />
Jan and Ondrej Schick<br />
www.valentinska.cz<br />
Antikvariát Valentinská<br />
Valentinská 8<br />
110 00 Praha 1 - Staré Město<br />
Czech Republic</div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-23367442087597183182018-07-30T06:33:00.000-07:002018-07-30T06:48:02.970-07:00Translating the meta prefix<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://www.amazon.com/Godsong-Verse-Translation-Bhagavad-Gita-Commentary/dp/1524733474?tag=thewonref-20" imageanchor="1" style="clear: right; float: right; margin-bottom: 6em; margin-left: 6em;"><img border="0" data-original-height="499" data-original-width="342" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0HK-kyoyPNuySi0FijSXJjn9xFBAfwC2BHWZ4ctOEPM1KYDoSVUe6EsbMhQBZGmuh3YamL4f-9aHZcKIVmVjfblYbzAKXXPN2eFaN-kepnU89jZPdVKfRYJSQpmSzlCDMYTDX6jAJBiE/s320/godsong.jpg" width="219" /></a></div>
<a href="https://en.wikipedia.org/wiki/Amit_Majmudar">Amit Majmudar</a>'s new verse translation of the Bhagavad Gita, <i><a href="https://www.amazon.com/Godsong-Verse-Translation-Bhagavad-Gita-Commentary/dp/1524733474?tag=thewonref-20">Godsong</a></i>, includes extensive commentary, much of it illuminating in an accessible level to the typical reader. Here is an excerpt.<br />
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<span style="font-size: large;">The <a href="http://www.ricorso.net/rx/library/criticism/guest/Benjamin_W/Benjamin_W1.htm">first task of translation</a> is finding a way to sound as little like a translation as possible while still maintaining accuracy. The terms that Arjuna asks about gave me great trouble. They consisted of familiar terms -- self, God, being, sacrifice -- but linked to a prefix that made them specific theological terms which have no English equivalent. The solution of other translators, from direct transliteration into Roman script (<a href="https://www.amazon.com/Bhagavad-Cultural-Perspectives-English-Sanskrit/dp/0873958306?tag=thewonref-20">Sargeant</a>) to "material manifestation" (<a href="https://www.amazon.com/Bhagavad-Gita-Paperback-Bhaktivedanta-Swami-Prabhupada/dp/0892131349?tag=thewonref-20">Prabhupada</a>) to "elemental-basis" (<a href="https://www.amazon.com/Bhagavad-Gita-New-Translation-Georg-Feuerstein/dp/159030893X?tag=thewonref-20">Feuerstein</a>), were not for me. I decided I would carry out a process in English identical to the one carried out in the ancient Sanskrit. After all, these were not terms used in the everyday parlance or poetry of ancient India. They were theological terms, unusual enough that Arjuna asks Krishna to define them. So I hooked the familiar word to the equivalent English prefix. <i>Adhi </i>and <i>meta </i>are similar, and both have theological connotations. So it <i>metaself</i>, <i>metagod</i>, <i>metabeing</i>, and <i>metasacrifice </i>seem neither spoken nor poetic English but more like theological jargon, that is because I'm staying faithful to the original Gita.</span></blockquote>
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Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-48308884904135336472018-07-25T05:51:00.000-07:002018-08-21T05:53:10.768-07:00Submissions call: poems for endangered and threatened animals<div dir="ltr" style="text-align: left;" trbidi="on">
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CALL FOR SUBMISSIONS: In conjunction with the latest revival of the nature-themed literary magazine <a href="http://penandanvil.com/hw">Hawk & Whippoorwill</a>, Pen & Anvil is pleased to announce a series of chapbooks dedicated to endangered and threatened animals in the New England area.<br />
<br />
<b>Poems for Plovers</b> is a chapbook about plovers. To protect the eggs and chicks of the piping plover (Charadrius <i>melodus</i>), beaches along the Atlantic coast close each nesting season--a conservation effort that has benefited the species greatly over the past thirty years.<br />
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<b>Songs for Salamanders</b> is a chapbook about salamanders. Four species of salamander are threatened or of special concern in Massachusetts: the Jefferson salamander, the blue-spotted salamander, the marbled salamander, and the eastern spadefoot. They live under rocks and logs and they deserve your love and poetic tribute.<br />
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<b>Music for Myotises</b> is a chapbook about mouse-eared bats. Five species of bats are endangered in Massachusetts: the Indiana myotis, the small-footed myotis, the little brown myotis, the tricolored bat, and the northern long-eared bat.<br />
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<b>Cicada Sex-song</b> is a chapbook about cicadas and their summer songs. Five species of cicada are known to call Massachusetts home; we call them all "cicada." They are not endangered, but we are concerned about them, and hope that they have all that they need for a good life.<br />
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Direct your art and poetry submissions to <a href="mailto:chapbooks@penandanvil.com">chapbooks@penandanvil.com</a>.<br />
<br />
---<br />
Contributors will each receive two complimentary copies. Previously published material will be considered. Pen & Anvil does not require exclusive publication rights. Physical copies will be available for sale via the Press website; PDF copies will be available for free.<br />
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Pen & Anvil is a not-for-profit literary publishing operation based in Boston. Its <a href="http://www.penandanvil.com/catalogue/#chapbooks">chapbook catalogue</a> includes the Komma Series and <a href="http://penandanvil.com/breakfast/">"Breakfast All Day,"</a> a collection of poetry dedicated to breakfast.</div>
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Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-23783980724545023732018-07-11T05:05:00.005-07:002018-07-11T05:26:26.777-07:00Translators and interpreters needed in Albany<div dir="ltr" style="text-align: left;" trbidi="on">
<a href="http://www.alexjzucker.com/" target="_blank">Alex Zucker</a> is one of a small cadre of volunteer lawyers and interpreters for the locally based Legal Project out of SUNY Albany. After spending Thursday of last week interpreting at the Albany county jail, <b>he reports that they've never seen anything like this.</b><br />
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The jail houses over 200 migrants detained by ICE; check the <a href="https://www.timesunion.com/immigration/" target="_blank"><i>Albany Times Union</i></a> for more information about this story. These individuals have been sent here from all over the country and the Legal Project is overwhelmed. There are lawyers to do the intakes, but not nearly enough interpreters. Persons with expertise in ALL languages are needed: Spanish, French, Hindi, Punjabi, any Mayan languages, Mandarin, Polish, Russian. Alex writes: "you name it, we can probably use it."<br />
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Please spread the word to any language speakers other than English that you know, who can get involved in Albany. If you're able to translate, please contact Christina Armistead at <a href="mailto:carmistead@lsu.edu">carmistead@lsu.edu</a>. She is coordinating the schedule.<br />
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And from the <a href="http://www.legalproject.org/" target="_blank">Legal Project</a> website:<br />
<blockquote class="tr_bq" style="text-align: left;">
<span style="font-size: large;">We are looking for interpreters<span style="background-color: white; color: #545454; font-family: "roboto" , "arial" , sans-serif;">—</span>all languages<span style="background-color: white; color: #545454; font-family: "roboto" , "arial" , sans-serif;">—</span>and attorneys. Please contact <a href="mailto:cric@legalproject.org">cric@legalproject.org</a> if you are able to volunteer. For more information, call 518-435-1770 ext. 327. Your help is needed NOW!</span></blockquote>
<b>Updated after hearing from Alex Zucker:</b> "I am not volunteering for project. I was just passing the info along. I realized too late the way I tweeted it gave the wrong impression. Regardless, if you scroll down to the end of my thread, <a href="https://twitter.com/alexjzucker/status/1015620260840574976">the last five tweets have the latest info</a>. Could you share that instead? 'ATTENTION: Legal Project seeking interpreters to assist immigrants in Albany County Jail says training will take place *JULY 11 IN ALBANY* from 5:00 to 6:30 p.m. Interpreters needed for interviews; no paraphrasing, word for word.' Many thx!" </div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-22984951021592175682018-05-20T18:05:00.001-07:002018-05-27T14:32:37.860-07:00On Existence and the Justification Thereof <div dir="ltr" style="text-align: left;" trbidi="on">
Nature is. That is a complete sentence; nature exists. Further, nature does not tell us <i>why </i>it exists. It is a prerequisite for life, an unrelenting force, and an ineffable beauty. Without nature, there would be no man. Nature does not have to stoop so low as justifying its existence to we impermanent leeches, fattening ourselves with its bounty.<br />
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We at this journal have no such power, and therefore no such privilege. Hello! My name is Cory Willingham, and I am the new editor of Hawk and Whippoorwill. H&W is a simple journal with a simple goal: to provide exposure to figures concerned with the ever-relevant themes of "man and nature." In this post, I will make a first sally at justifying our existence.<br />
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It is becoming increasingly commonplace to say, "Our planet is not dying, we are killing it." This is a fair statement, but it perhaps distracts from the point with a sardonic rhetorical flourish-- our planet <i>is </i>dying, and we <i>are </i>killing it. I will not say that it is important "now more than ever" to be concerned with nature, but I will say that it is as important as ever. I was at a conference about a month ago, and one of the speakers (a brilliant professor of classics whose name I have unfortunately forgotten!) bemoaned the fact that we as a species have become more distant from nature, and as such we read nature poetry differently. The specific point was that we no longer immediately recognize the smell of donkey urine, but we shouldn't get bogged down in details. The speaker's point was much deeper than his casual tangent would suggest: we, as a species, simply don't think about nature as much as we used to. This is due in large part, of course, to wild urbanization, but there is another point which deserves scrutiny. We are, generally, separated from the world around us by a layer or two. I refer here to the ubiquitous presence of technology.<br />
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I don't mean to attack technology; I'm typing this post on a laptop which has provided me untold hours of entertainment, and using the Internet, a resource which has provided me with truly fantastic knowledge. My cell phone keeps me in touch with my friends across the world. Central air is cool. But the growth of technology, and specifically of screen-having-devices, has led to a decline in our collective connectedness with nature. While we <i>know </i>more, we have <i>experienced </i>less. I have seen marvelous rainforests, but I have not stood in their majesty. I have seen the peaks of tall mountains, but I have not breathed their thin air. I am content in my perceptions, erroneously believing them to be suitable replacements for experiences; because of them, I do not think about the natural world around me as much as I should. I do not give it the reverence it deserves<br />
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Beyond the obvious complaint that we mostly only touch nature to kill it, there is another complaint which ought to be addressed. So much great poetry has been written because of nature! Wordsworth, Hesiod, Vergil, Keats, Byron, Shelley, Akbar, Stallings, Bos-- these myriad poets have made art inspired by the natural world. But today, nature poetry is hardly the norm. We have poems of loss, of love, of atomism, of fear, and those poetic themes are all intensely valuable. Just as I don't mean to attack technology, I <i>certainly </i>don't mean to devalue non-nature-poems.<br />
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The problem is thus: nature is dying around us, and our nature poetry is waning as well. One or the other of these situations may be acceptable, but the presence of both at once presents an alarming concern. We don't think about nature as much anymore, and we don't write about nature as much anymore, and because we don't write about it as much, we don't think about it as much, and because we don't think about it as much, we don't write about it as much, et cetera ad perpetuum. We can't live inside our urban heat domes and leave our progenitor to wither away. Nature is like Tinkerbell. If we don't keep her in our thoughts, she dies. (I've never seen Peter Pan. Isn't that how it goes?)<br />
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So, I present to you: Hawk and Whippoorwill. A revitalized and reorganized magazine of nature poetry, designed to give people who write about nature or our role in it an opportunity to remind the rest of us, we world-weary urbanists, to call our mom. Let's get started.</div>
Hawk & Whippoorwillhttp://www.blogger.com/profile/04332253067679515561noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-61173857707404563872018-05-14T11:45:00.001-07:002018-05-14T11:48:05.864-07:00An editor's reply to #MeToo in bookstores<div dir="ltr" style="text-align: left;" trbidi="on">
<blockquote class="tr_bq">
What a relief to read that bookstores have at last assumed their proper role as censors and arbiters of public morals. Banishing <a href="https://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/76821-most-booksellers-opt-to-still-sell-d-az.html" target="_blank">Diaz</a>, Alexie, and Wallace is, I assume, only the beginning. I mean, we all know about the Beats—Kerouac (misogynist), Ginsberg (Man-Boy-Love Association member), Burroughs (murderer). But what about Mailer, Bellow, Salinger, Updike, Hemingway, and that notoriously bad father, William Faulkner? Don’t forget antisemites like Pound and Eliot. And you know that Robert Lowell could be savage to people? If you stock Plath and Sexton, aren’t you glamorizing suicide? People say Mary McCarthy had quite a tongue on her. And what about cranks like John Milton—anti-Catholic, anti-Irish, pro-regicide….And please don’t get me started on Byron (incest), Shelley (cheating), Baudelaire (whoring), Rimbaud (gun-running). But these literary cats are the low-hanging fruit. Imagine the moral probity of those bookstores deciding not to stock the shelves with work by and about bona-fide mass murderers—not only the obvious ones, like Hitler and Stalin, but also our own men and women: Nixon, Kissinger, Johnson, the Bushes, the Clintons, Madeleine Albright, Janet Reno (Waco—never forget!)? Then there are lesser criminals like Martha Stewart, who will also need to be purged. But we’re just getting started, aren’t we? From here on, as in any self-respecting theocracy, shelf-space should be reserved exclusively for the works of bona fide saints. Here is where it gets tricky, though, because surely the Bible will have to go—what other book has led to as much bloodshed, from the Crusades to the present? Keep in mind how Jesus provoked a crowd to stone the adulteress: “He that is without sin among you, let him cast the first stone.”</blockquote>
(<a href="https://www.facebook.com/permalink.php?story_fbid=2047052705615162&id=100009313571383" target="_blank">Source</a>)<br />
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Food for thought. Another Biblical precept: "Ye shall know them by their fruits."<br />
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Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0tag:blogger.com,1999:blog-6834482611503847475.post-60996982802935947412018-03-04T05:30:00.001-08:002019-11-21T06:37:17.970-08:00"Thanks for the rejection!"<div dir="ltr" style="text-align: left;" trbidi="on">
<h4 style="background-color: white; font-family: Georgia, Utopia, "Palatino Linotype", Palatino, serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative; text-align: right;">
(<a href="https://penandanvil.blogspot.com/search/label/annals%20of%20an%20editor" style="color: #444444;">Annals of an Editor, #7</a>8)</h4>
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The subject of this blog post is not ironic or rueful. We actually <b>do</b> receive many notes of thanks from authors who, after having their <a href="http://www.bu.edu/clarion/submissions/" target="_blank">submissions</a> rejected by <i><a href="https://twitter.com/clarionlitmag" target="_blank">Clarion</a>, </i>find that they are nonetheless grateful that our editors took the time to reply thoughtfully to their work. Not everyone receives a page-long note, but anyone who specifically asks for feedback on their writing or for an account for our reason of rejection, gets exactly that. We'll talk about other venues they might wish to submit to, if their work is simply out of our scope; we'll mention other authors whom their writing reminds us of, and encourage them to seek them out; and we'll share whatever several points of technical feedback felt salient enough to pass along.<br />
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Here are a few messages we've received this year, from authors who took our rejection of their work in a very positive way.<br />
<ul style="text-align: left;">
<li>Message from RD: "Thanks so much for your remarks. You are one of the VERY FEW who makes this effort, and from the void of bottomless submission piles it is both useful and appreciated. Again, many thanks."</li>
<li>Message from WC: "Thanks for the feedback on my story. I look forward to using your thoughtful input in revising and, hopefully, improving it. Once again, I really appreciate your time and consideration."</li>
<li>Message from GC: "I sincerely thank you for this kind rejection letter and the very helpful encouragement. I've reread my story and believe your readers are astute. I've re-worked the piece to rein-back the complexity of the language and create more consistent syntax. Thank you again for reading and taking the time to comment so specifically on my work. I hope to submit other stories to you in the future."</li>
<li>Message from AM: "I appreciate your comments and thank you for them. At some point I'll try you again with deeper characters and language."</li>
<li>Message from AK: "As a poet who has received many rejection letters, I just wanted to take a moment to thank you for your encouraging, positive, constructive response. It truly means so much to me. I will take your suggestions into account with all of my future work. Also, I'll remain hopeful that I may one day re-submit to your publication and then receive a response about publication! Again, thank you for your very thoughtful response. I know how many submissions you must receive, and your time is much appreciated."</li>
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All those sound like our rejection process is winning us new friends, not making new enemies.<br />
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Our <i>Clarion</i> editors don't send out discursive, collegial rejection letters just to have something to brag about on the blog. We find that when people understand that our (unpaid) readers paid close and careful attention to their work, they feel valued. When they see that our decisions are made in a context of broad understanding of and appreciation for the contemporary field of small press publishing -- its diversity, its personalities, its opportunities and pit-falls -- they feel <i>Clarion</i> is a hive of knowledgeable operators. And when they see that a rejection isn't the end of their relationship with <i>Clarion</i>, but just the next step in an ongoing correspondence, they're so much more likely to look for our email updates, to follow us on social media, and to recommend our magazine to their fellow readers and writers.<br />
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Kindness, in short, is good business. Of course, we'd likely wish to make generosity, acumen and kindness our guidelines, even if it were NOT good business, but its fortunate for us and our goals that our temperamental inclinations happen to align with professional best practices. And we count ourselves generally fortunate that our editorial structure happens to allow for this kind of long-form feedback; not every lit mag out there can find the time to engage so deeply as we do.</div>
Zachary Boshttp://www.blogger.com/profile/07381974131762307270noreply@blogger.com0